Today's Stichomancy for Calvin Klein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Heroes by Charles Kingsley:

And there he saw Sciron sitting by a fountain, at the edge of the cliff. On his knees was a mighty club; and he had barred the path with stones, so that every one must stop who came up.

Then Theseus shouted to him, and said, 'Holla, thou tortoise- feeder, do thy feet need washing to-day?'

And Sciron leapt to his feet, and answered - 'My tortoise is empty and hungry, and my feet need washing to-day.' And he stood before his barrier, and lifted up his club in both hands.

Then Theseus rushed upon him; and sore was the battle upon

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glinda of Oz by L. Frank Baum:

found that it seemed to spread in a regular circle. On and on they went until finally Ozma said they had returned to the exact spot from which they had started. "Here is a handkerchief you dropped when we were here before," she said to Dorothy.

"In that case, they must have built the web behind us, after we walked into the trap," exclaimed the little girl.

"True," agreed Ozma, "an enemy has tried to imprison us."

"And they did it, too," said Dorothy. "I wonder who

Glinda of Oz

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from King Henry VI by William Shakespeare:

That with the king here resteth in his tent?

1 WATCHMAN. 'T is the Lord Hastings, the king's chiefest friend.

3 WATCHMAN. O, is it So? But why commands the king That his chief followers lodge in towns about him, While he himself keeps in the cold field?

2 WATCHMAN. 'T is the more honour, because more dangerous.

3 WATCHMAN. Ay, but give me worship and quietness;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

raising her head. I shouted and shouted after them, but they continued to scale the hillside, and turned a deaf ear to my outcries. At last, leaving Modestine by herself, I was constrained to run after them, hailing the while. They stopped as I drew near, the mother still cursing; and I could see she was a handsome, motherly, respectable-looking woman. The son once more answered me roughly and inaudibly, and was for setting out again. But this time I simply collared the mother, who was nearest me, and, apologising for my violence, declared that I could not let them go until they had put me on my road. They were neither of them offended - rather mollified than otherwise; told me I had only to