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Today's Stichomancy for Fiona Apple

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales of Unrest by Joseph Conrad:

envelop the water, the earth, and the man in the caress of its light.

The anchor was up, the sails hung still, and half-a-dozen big boats were seen sweeping over the bay to give us a tow out. The paddlers in the first one that came alongside lifted their heads and saw their ruler standing amongst us. A low murmur of surprise arose--then a shout of greeting.

He left us, and seemed straightway to step into the glorious splendour of his stage, to wrap himself in the illusion of unavoidable success. For a moment he stood erect, one foot over the gangway, one hand on the hilt of his kriss, in a martial pose; and, relieved from the fear of outer darkness, he held his head high, he swept a serene look over


Tales of Unrest
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

the bare heaven. A new creed, like a new country, is an unhomely place of sojourn; but it makes men lean on one another and join hands. It was on this that Knox relied to begin the union of the English and the Scotch. And he had, perhaps, better means of judging than any even of his contemporaries. He knew the temper of both nations; and already during his two years' chaplaincy at Berwick, he had seen his scheme put to the proof. But whether practicable or not, the proposal does him much honour. That he should thus have sought to make a love-match of it between the two peoples, and tried to win their inclination towards a union

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wrecker by Stevenson & Osbourne:

began to touch the banjo, as was his habit of an evening. His repertory was small: the chords of _Home, Sweet Home_ fell under his fingers; and when he had played the symphony, he instinctively raised up his voice. "Be it never so 'umble, there's no plyce like 'ome," he sang. The last word was still upon his lips, when the instrument was snatched from him and dashed into the fire; and he turned with a cry to look into the furious countenance of Mac.

"I'll be damned if I stand this!" cried the captain, leaping up belligerent.

"I told ye I was a voilent man," said Mac, with a movement of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gone With the Wind by Margaret Mitchell:

them were bitter. They left bitterness to their women and their old people. They had fought a good fight, had been licked and were willing to settle down peaceably to plowing beneath the flag they had fought.

Going home! Going home! They could talk of nothing else, neither battles nor wounds, nor imprisonment nor the future. Later, they would refight battles and tell children and grandchildren of pranks and forays and charges, of hunger, forced marches and wounds, but not now. Some of them lacked an arm or a leg or an eye, many had scars which would ache in rainy weather if they lived for seventy years but these seemed small matters now. Later it would be


Gone With the Wind