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Today's Stichomancy for Harry Houdini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Somebody's Little Girl by Martha Young:

But the lady held still faster to Bessie Bell's hand.

``Oh,'' said Sister Helen Vincula, ``I have a thought! Come to our cabin with me.''

So they went.

And Bessie Bell walked between Sister Helen Vincula and the lady.

And they each held one of her little pink hands.

When they were at the cabin Sister Helen Vincula opened the old trunk with the brass tacks on it, and she went down to the very bottom of it, unpacking as she went. For the old trunk was almost entirely packed for the going away to-morrow. Then Sister Helen Vincula took out, from almost the bottom of the trunk, the little

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collected Articles by Frederick Douglass:

the same general description. Hence many slaves could escape by personating the owner of one set of papers; and this was often done as follows: A slave, nearly or sufficiently answering the description set forth in the papers, would borrow or hire them till by means of them he could escape to a free State, and then, by mail or otherwise, would return them to the owner. The operation was a hazardous one for the lender as well as for the borrower. A failure on the part of the fugitive to send back the papers would imperil his benefactor, and the discovery of the papers in possession of the wrong man would imperil both the fugitive and his friend. It was, therefore, an act of supreme trust on the part of a freeman of color thus to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Before Adam by Jack London:

But to return to the Chatterer. He persistently terrorized me. He was always pinching me and cuffing me, and on occasion he was not above biting me. Often my mother interfered, and the way she made his fur fly was a joy to see. But the result of all this was a beautiful and unending family quarrel, in which I was the bone of contention.

No, my home-life was not happy. I smile to myself as I write the phrase. Home-life! Home! I had no home in the modern sense of the term. My home was an association, not a habitation. I lived in my mother's

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Island of Doctor Moreau by H. G. Wells:

turned and looked about me at the flush deck of the little schooner. I was already half prepared by the sounds I had heard for what I saw. Certainly I never beheld a deck so dirty. It was littered with scraps of carrot, shreds of green stuff, and indescribable filth. Fastened by chains to the mainmast were a number of grisly staghounds, who now began leaping and barking at me, and by the mizzen a huge puma was cramped in a little iron cage far too small even to give it turning room. Farther under the starboard bulwark were some big hutches containing a number of rabbits, and a solitary llama was squeezed in a mere box of a cage forward. The dogs were muzzled by leather straps. The only human being on deck was a gaunt and silent sailor at


The Island of Doctor Moreau