The first excerpt represents the past or something you must release, and is drawn from The Soul of Man by Oscar Wilde: be practically in slavery, but to propose to solve the problem by
enslaving the entire community is childish. Every man must be left
quite free to choose his own work. No form of compulsion must be
exercised over him. If there is, his work will not be good for
him, will not be good in itself, and will not be good for others.
And by work I simply mean activity of any kind.
I hardly think that any Socialist, nowadays, would seriously
propose that an inspector should call every morning at each house
to see that each citizen rose up and did manual labour for eight
hours. Humanity has got beyond that stage, and reserves such a
form of life for the people whom, in a very arbitrary manner, it
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Glasses by Henry James: "Have you never guessed? I guessed as soon as she spoke!" Dawling
towered over me in dismal triumph. It was the first time in our
acquaintance that, on any ground of understanding this had
occurred; but even so remarkable an incident still left me
sufficiently at sea to cause him to continue: "Why, the effect of
those spectacles!"
I seemed to catch the tail of his idea. "Mrs. Meldrum's?"
"They're so awfully ugly and they add so to the dear woman's
ugliness." This remark began to flash a light, and when he quickly
added "She sees herself, she sees her own fate!" my response was so
immediate that I had almost taken the words out of his mouth.
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The third excerpt represents the future or something you must embrace, and is drawn from Albert Savarus by Honore de Balzac: fullest extent. Yes, those eyes of tawny brown, shot with golden
lights, covered ardor which revealed itself in sudden flashes.
Rosalie, with a recklessness which Mariette noted, stood in the
lawyer's way, so as to exchange glances with him; and this glance
turned her blood, for it seethed and boiled as though its warmth were
doubled.
As soon as Albert had taken a seat, Mademoiselle de Watteville quickly
found a place whence she could see him perfectly during all the time
the Abbe might leave her. When Mariette said, "Here is Monsieur
Giroud," it seemed to Rosalie that the interview had lasted no more
than a few minutes. By the time she came out from the confessional,
Albert Savarus |