The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Helen of Troy And Other Poems by Sara Teasdale: He shall not have the power to stain with blood
That whiteness -- for the thirsty sword shall fall
And he shall cry and catch me in his arms,
Bearing me back to Sparta on his breast.
Lo, I shall live to conquer Greece again!
Beatrice
Send out the singers -- let the room be still;
They have not eased my pain nor brought me sleep.
Close out the sun, for I would have it dark
That I may feel how black the grave will be.
The sun is setting, for the light is red,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alcibiades I by Plato: a Platonic authorship. In reference to the last point we are doubtful, as
in some of the other dialogues, whether the author is asserting or
overthrowing the paradox of Socrates, or merely following the argument
'whither the wind blows.' That no conclusion is arrived at is also in
accordance with the character of the earlier dialogues. The resemblances
or imitations of the Gorgias, Protagoras, and Euthydemus, which have been
observed in the Hippias, cannot with certainty be adduced on either side of
the argument. On the whole, more may be said in favour of the genuineness
of the Hippias than against it.
The Menexenus or Funeral Oration is cited by Aristotle, and is interesting
as supplying an example of the manner in which the orators praised 'the
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