| The first excerpt represents the past or something you must release, and is drawn from The Happy Prince and Other Tales by Oscar Wilde: has no money, and far too many relations"; and indeed the river was
quite full of Reeds. Then, when the autumn came they all flew
away.
After they had gone he felt lonely, and began to tire of his lady-
love. "She has no conversation," he said, "and I am afraid that
she is a coquette, for she is always flirting with the wind." And
certainly, whenever the wind blew, the Reed made the most graceful
curtseys. "I admit that she is domestic," he continued, "but I
love travelling, and my wife, consequently, should love travelling
also."
"Will you come away with me?" he said finally to her; but the Reed
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Confessio Amantis by John Gower: Bot what was elles in certein,
That mihte he wite be no weie.
And thus the kniht of whom I seie
Toward the Soldan is beleft,
And in the Marches now and eft, 2570
Wher that the dedli werres were,
He wroghte such knihthode there,
That every man spak of him good.
And thilke time so it stod,
This mihti Soldan be his wif
A Dowhter hath, that in this lif
Confessio Amantis |
The third excerpt represents the future or something you must embrace, and is drawn from Sophist by Plato: THEAETETUS: Yes.
STRANGER: And here, again, is falsehood?
THEAETETUS: Falsehood--yes.
STRANGER: And in like manner, a false proposition will be deemed to be one
which asserts the non-existence of things which are, and the existence of
things which are not.
THEAETETUS: There is no other way in which a false proposition can arise.
STRANGER: There is not; but the Sophist will deny these statements. And
indeed how can any rational man assent to them, when the very expressions
which we have just used were before acknowledged by us to be unutterable,
unspeakable, indescribable, unthinkable? Do you see his point, Theaetetus?
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