The first excerpt represents the past or something you must release, and is drawn from Proposed Roads To Freedom by Bertrand Russell: else, brought them into conflict with the authorities
in the years preceding the war. But, as was to be
expected, it did not survive the actual invasion of
France.
The doctrines of Syndicalism may be illustrated
by an article introducing it to English readers in
the first number of ``The Syndicalist Railwayman,''
September, 1911, from which the following is quoted:--
``All Syndicalism, Collectivism, Anarchism aims at
abolishing the present economic status and existing private
ownership of most things; but while Collectivism
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ferragus by Honore de Balzac: the happy clerk was able to buy out his patron. In four years
Desmarets became one of the most prosperous men in his business; new
clients increased the number his predecessor had left to him; he
inspired confidence in all; and it was impossible for him not to feel,
by the way business came to him, that some hidden influence, due to
his mother-in-law, or to Providence, was secretly protecting him.
At the end of the third year Clemence lost her godmother. By that time
Monsieur Jules (so called to distinguish him from an elder brother,
whom he had set up as a notary in Paris) possessed an income from
invested property of two hundred thousand francs. There was not in all
Paris another instance of the domestic happiness enjoyed by this
Ferragus |
The third excerpt represents the future or something you must embrace, and is drawn from Mrs. Warren's Profession by George Bernard Shaw: MRS WARREN. Well? what became of you two? And wheres Praddy and
Vivie?
CROFTS [putting his hat on the settle and his stick in the
chimney corner] They went up the hill. We went to the village.
I wanted a drink. [He sits down on the settle, putting his legs
up along the seat].
MRS WARREN. Well, she oughtnt to go off like that without
telling me. [To Frank] Get your father a chair, Frank: where are
your manners? [Frank springs up and gracefully offers his father
his chair; then takes another from the wall and sits down at the
table, in the middle, with his father on his right and Mrs Warren
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