The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Facino Cane by Honore de Balzac: clarionet?"
"From Venice," he said, with a trace of Italian accent.
"Have you always been blind, or did it come on afterwards--"
"Afterwards," he answered quickly. "A cursed gutta serena."
"Venice is a fine city; I have always had a fancy to go there."
The old man's face lighted up, the wrinkles began to work, he was
violently excited.
"If I went with you, you would not lose your time," he said.
"Don't talk about Venice to our Doge," put in the fiddle, "or you will
start him off, and he has stowed away a couple of bottles as it is--
has the prince!"
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett: Blackett first spied her at the half-closed door, and asked with
such cheerful directness if we were trespassing that, after a few
words, she went back to her kitchen and reappeared with a plateful
of doughnuts.
"Entertainment for man and beast," announced Mrs. Todd with
satisfaction. "Why, we've perceived there was new doughnuts
all along the road, but you're the first that has treated us."
Our new acquaintance flushed with pleasure, but said nothing.
"They're very nice; you've had good luck with 'em," pronounced
Mrs. Todd. "Yes, we've observed there was doughnuts all the way
along; if one house is frying all the rest is; 'tis so with a great
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy: the piercing shrieks, which Chauvelin seemed to dread, as a possible
warning to the Scarlet Pimpernel and his friends--in the wild hope
that they would hear, and have yet time to escape before it was too
late. But she did not know if her shrieks would reach the ears of the
doomed men. Her effort might be premature, and she would never be
allowed to make another. Her mouth would be securely gagged, like
that of the Jew, and she, a helpless prisoner in the hands of
Chauvelin's men.
Like a ghost she flitted noiselessly behind that hedge: she
had taken her shoes off, and her stockings were by now torn off her
feet. She felt neither soreness nor weariness; indomitable will to
The Scarlet Pimpernel |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Recruit by Honore de Balzac: thinking--"
She again examined the room to see if all were in order. A good fire
burned on the hearth, the shutters were carefully closed, the
furniture shone with rubbing; even the manner in which the bed was
made showed that the countess had assisted Brigitte in every detail;
her hopes were uttered in the delicate care given to that room where
she expected to fold her son in her arms. A mother alone could have
thought of all his wants; a choice repast, rare wine, fresh linen,
slippers, in short, everything the tired man would need,--all were
there that nothing might be lacking; the comforts of his home should
reveal to him without words the tenderness of his mother!
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