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Today's Stichomancy for Hugh Jackman

The first excerpt represents the past or something you must release, and is drawn from On Horsemanship by Xenophon:

spring or downward jump.[4]

[4] Lit. "in making these jumps, springs, and leaps across or up or down."

To face a steep incline, you must first teach him on soft ground, and finally, when he is accustomed to that, he will much prefer the downward to the upward slope for a fast pace. And as to the apprehension, which some people entertain, that a horse may dislocate the shoulder in galloping down an incline, it should encourage them to learn that the Persians and Odrysians all run races down precipitous slopes;[5] and their horses are every bit as sound as our own.[6]

[5] Cf. "Anab." IV. viii. 28; and so the Georgians to this day


On Horsemanship
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Through the Looking-Glass by Lewis Carroll:

isn't very likely there would be any mice on the horse's back.'

`Not very likely, perhaps,' said the Knight: `but if they DO come, I don't choose to have them running all about.'

`You see,' he went on after a pause, `it's as well to be provided for EVERYTHING. That's the reason the horse has all those anklets round his feet.'

`But what are they for?' Alice asked in a tone of great curiosity.

`To guard against the bites of sharks,' the Knight replied. `It's an invention of my own. And now help me on. I'll go with you to the end of the wood--What's the dish for?'


Through the Looking-Glass
The third excerpt represents the future or something you must embrace, and is drawn from Kwaidan by Lafcadio Hearn:

[1] A square piece of cotton-goods, or other woven material, used as a wrapper in which to carry small packages. (4) Ten yen is nothing now, but was a formidable sum then.

INSECT STUDIES BUTTERFLIES (1) Haiku. [1] "The modest nymph beheld her God, and blushed." (Or, in a more familiar rendering: "The modest water saw its God, and blushed.") In this line the double value of the word nympha -- used by classical poets both in the meaning of fountain and in that of the divinity of a fountain, or spring -- reminds one of that graceful playing with words which Japanese


Kwaidan