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Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Captain Stormfield by Mark Twain:

reckon you have, you do seem to know powerful little about its customs."

"Its customs!" says he. "Heaven is a large place, good friend. Large empires have many and diverse customs. Even small dominions have, as you doubtless know by what you have seen of the matter on a small scale in the Wart. How can you imagine I could ever learn the varied customs of the countless kingdoms of heaven? It makes my head ache to think of it. I know the customs that prevail in those portions inhabited by peoples that are appointed to enter by my own gate - and hark ye, that is quite enough knowledge for one individual to try to pack into his head in the thirty-seven

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Journal of the Plague Year by Daniel Defoe:

were more people infected and fell sick now, when there did not die above a thousand or twelve hundred in a week, than there was when there died five or six thousand a week, so entirely negligent were the people at that time in the great and dangerous case of health and infection, and so ill were they able to take or accept of the advice of those who cautioned them for their good.

The people being thus returned, as it were, in general, it was very strange to find that in their inquiring after their friends, some whole families were so entirely swept away that there was no remembrance of them left, neither was anybody to be found to possess or show any title to that little they had left; for in such cases what was to be found


A Journal of the Plague Year
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mad King by Edgar Rice Burroughs:

trumpets. The great doors swung violently open, and the entire throng were upon their feet in an instant as a trooper of the Royal Horse shouted: "The king! The king! Make way for Leopold of Lutha!"

XII

THE GRATITUDE OF A KING

AT THE CRY silence fell upon the throng. Every head was turned toward the great doors through which the head of a procession was just visible. It was a grim looking procession --the head of it, at least.

There were four khaki-clad trumpeters from the Royal


The Mad King
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Laches by Plato:

connect him with the two generals, of whom one has witnessed them. The characters of Nicias and Laches are indicated by their opinions on the exhibition of the man fighting in heavy armour. The more enlightened Nicias is quite ready to accept the new art, which Laches treats with ridicule, seeming to think that this, or any other military question, may be settled by asking, 'What do the Lacedaemonians say?' The one is the thoughtful general, willing to avail himself of any discovery in the art of war (Aristoph. Aves); the other is the practical man, who relies on his own experience, and is the enemy of innovation; he can act but cannot speak, and is apt to lose his temper. It is to be noted that one of them is supposed to be a hearer of Socrates; the other is only acquainted with his