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Today's Stichomancy for Nicolas Cage

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gulliver's Travels by Jonathan Swift:

his calculations. But, if what I told him were true, he was still at a loss how a kingdom could run out of its estate, like a private person." He asked me, "who were our creditors; and where we found money to pay them?" He wondered to hear me talk of such chargeable and expensive wars; "that certainly we must be a quarrelsome people, or live among very bad neighbours, and that our generals must needs be richer than our kings." He asked, what business we had out of our own islands, unless upon the score of trade, or treaty, or to defend the coasts with our fleet?" Above all, he was amazed to hear me talk of a mercenary standing army, in the midst of peace, and among a free people.


Gulliver's Travels
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Lear by William Shakespeare:

And I'll repair the misery thou dost bear With something rich about me. From that place I shall no leading need. Edg. Give me thy arm. Poor Tom shall lead thee. Exeunt.

Scene II. Before the Duke of Albany's Palace.

Enter Goneril and [Edmund the] Bastard.

Gon. Welcome, my lord. I marvel our mild husband Not met us on the way.


King Lear
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

their comrades to "stand back and hear what the gentleman had to say." The Master had not flinched before their onslaught; nor, at this proof of the ground he had gained, did he betray the least sufficiency.

"Do not let us be in haste," says he. "Meat first and public speaking after."

With that they made a hasty meal: and as soon as it was done, the Master, leaning on one elbow, began his speech. He spoke long, addressing himself to each except Harris, finding for each (with the same exception) some particular flattery. He called them "bold, honest blades," declared he had never seen a more jovial

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

of the blacks, hidden away in his own jungle, and with not a single house as large as his own cabin upon the distant beach.

He saw that these people were more wicked than his own apes, and as savage and cruel as Sabor, herself. Tarzan began to hold his own kind in low esteem.

Now they had tied their poor victim to a great post near the center of the village, directly before Mbonga's hut, and here they formed a dancing, yelling circle of warriors about him, alive with flashing knives and menacing spears.

In a larger circle squatted the women, yelling and beating upon drums. It reminded Tarzan of the Dum-Dum, and so he


Tarzan of the Apes