The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Yates Pride by Mary E. Wilkins Freeman: brocade curtain and sat down on an embroidered satin sofa.
Lawton sat beside her.
"This room looks every whit as grand as it used to look to me
when I was a boy," he said.
"It has hardly been opened, except to have it cleaned, since you
went away," replied Eudora, "and no wear has come upon it."
"And everything was rather splendid to begin with, and has
lasted. And so were you, Eudora, and you have lasted. Well,
what about my answer, dear girl?"
"You have to hear something first."
Lawton laughed. "A confession?"
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Kidnapped Santa Claus by L. Frank Baum: "The children are waking up, Santa!" he cried. "They are waking up to
find their stockings empty! Ho, ho! How they will quarrel, and wail,
and stamp their feet in anger! Our caves will be full today, old
Santa! Our caves are sure to be full!"
But to this, as to other like taunts, Santa Claus answered nothing.
He was much grieved by his capture, it is true; but his courage did
not forsake him. And, finding that the prisoner would not reply to
his jeers, the Daemon of Malice presently went away, and sent the
Daemon of Repentance to take his place.
This last personage was not so disagreeable as the others. He had
gentle and refined features, and his voice was soft and pleasant in tone.
A Kidnapped Santa Claus |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: moral, or cordial, or clean, than the engines which impel those proud
leviathans which you admire when they cleave the waves! Is not Paris a
sublime vessel laden with intelligence? Yes, her arms are one of those
oracles which fatality sometimes allows. The /City of Paris/ has her
great mast, all of bronze, carved with victories, and for watchman--
Napoleon. The barque may roll and pitch, but she cleaves the world,
illuminates it through the hundred mouths of her tribunes, ploughs the
seas of science, rides with full sail, cries from the height of her
tops, with the voice of her scientists and artists: "Onward, advance!
Follow me!" She carries a huge crew, which delights in adorning her
with fresh streamers. Boys and urchins laughing in the rigging;
The Girl with the Golden Eyes |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alexander's Bridge by Willa Cather: perfectly natural that a tall brown gentleman
should be standing there, looking up through
his glasses at the gray housetops.
The sun sank rapidly; the silvery light
had faded from the bare boughs and the
watery twilight was setting in when Wilson
at last walked down the hill, descending into
cooler and cooler depths of grayish shadow.
His nostril, long unused to it, was quick to
detect the smell of wood smoke in the air,
blended with the odor of moist spring earth
Alexander's Bridge |