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Today's Stichomancy for Ridley Scott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

in an exaggerated form has become hereditary in our pointers and setters. Now I have noticed scores of times that when two strange dogs meet on an open road, the one which first sees the other, though at the distance of one or two hundred yards, after the first glance always lowers its bead, generally crouches a little, or even lies down; that is, he takes the proper attitude for concealing himself and {illust. caption = for making a rush or FIG. 4.--Small dog watching a cat on a spring, although the road table. From a photograph taken is quite open and The distance Mr. Rejlander.} great. Again, dogs of all kinds when intently watching and slowly approaching their prey, frequently keep one of their fore-legs doubled up for a long time, ready for the next cautious step; and this is eminently characteristic


Expression of Emotion in Man and Animals
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Symposium by Xenophon:

[9] Lit. "what he has for which to claim utility."

[10] Or, "give the work completeness." Cf. Plat. "Charm." 173 A; "Gorg." 454 A.

He asnwered: My father,[11] in his pains to make me a good man, compelled me to learn the whole of Homer's poems, and it so happens that even now I can repeat the "Iliad" and the "Odyssey" by heart.[12]

[11] Nicias.

[12] Of, "off-hand." See "Mem." III. vi. 9; Plat. "Theaet." 142 D.

You have not forgotten (interposed Antisthenes), perhaps, that besides yourself there is not a rhapsodist who does not know these epics?

Forgotten! is it likely (he replied), considering I had to listen to


The Symposium
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from La Grenadiere by Honore de Balzac:

took it in turns to sit up with Mme. Willemsens, never taking their eyes from the invalid. It was the deeply tragical hour that comes in all our lives, the hour of listening in terror to every deep breath lest it should be the last, a dark hour protracted over many days. On the fifth day of that fatal week the doctor interdicted flowers in the room. The illusions of life were going one by one.

Then Marie and his brother felt their mother's lips hot as fire beneath their kisses; and at last, on the Saturday evening, Mme. Willemsens was too ill to bear the slightest sound, and her room was left in disorder. This neglect for a woman of refined taste, who clung so persistently to the graces of life, meant the beginning of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Old Indian Legends by Zitkala-Sa:

They reached the side of the stranger, but he did not heed them. Proud and silent he gazed upon the cone-shaped wigwams beneath him. Spreading a handsomely decorated buffalo robe before the man, two of the warriors lifted him by each shoulder and placed him gently on it. Then the four men took, each, a corner of the blanket and carried the stranger, with long proud steps, toward the chieftain's teepee.

Ready to greet the stranger, the tall chieftain stood at the entrance way. "How, you are the avenger with the magic arrow!" said he, extending to him a smooth soft hand.

"How, great chieftain!" replied the man, holding long the