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Today's Stichomancy for Steve Martin

The first excerpt represents the past or something you must release, and is drawn from Rinkitink In Oz by L. Frank Baum:

Inga at once commanded him to lead the way to the butter house, but when they arrived there Queen Garee was nowhere in the place, although the boy found a silk scarf which he recognized as one that his mother used to wear. Then they began a search throughout the island of Coregos, but could not find Inga's mother anywhere.

When they returned to the palace of Queen Cor, Rinkitink discovered that the bridge of boats had again been removed, separating them from Regos, and from this they suspected that Queen Cor had fled to her husband's island and had taken Queen Garee with her. Inga was


Rinkitink In Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe:

of old planks, beams, wales, and timbers, etc., the wrecks of ships, and ruins of mariners' and merchants' fortunes; and in some places were whole yards filled and piled up very high with the same stuff laid up, as I supposed to sell for the like building purposes, as there should he occasion.

About the year 1692 (I think it was that year) there was a melancholy example of what I have said of this place: a fleet of 200 sail of light colliers (so they call the ships bound northward empty to fetch coals from Newcastle to London) went out of Yarmouth Roads with a fair wind, to pursue their voyage, and were taken short with a storm of wind at NE. after they were past

The third excerpt represents the future or something you must embrace, and is drawn from The Dunwich Horror by H. P. Lovecraft:

amidst thunderstorms in the hills and trying to read the great odorous books which her father had inherited through two centuries of Whateleys, and which were fast falling to pieces with age and wormholes. She had never been to school, but was filled with disjointed scraps of ancient lore that Old Whateley had taught her. The remote farmhouse had always been feared because of Old Whateley's reputation for black magic, and the unexplained death by violence of Mrs Whateley when Lavinia was twelve years old had not helped to make the place popular. Isolated among strange influences, Lavinia was fond of wild and grandiose day-dreams and singular occupations; nor was her leisure much taken up by household cares in a home


The Dunwich Horror