The first excerpt represents the past or something you must release, and is drawn from Sons and Lovers by D. H. Lawrence: after all."
"I think you ought to consider HER."
"So I DO! What can people say?--that we take a walk together.
I believe you're jealous."
"You know I should be GLAD if she weren't a married woman."
"Well, my dear, she lives separate from her husband, and talks
on platforms; so she's already singled out from the sheep, and, as far
as I can see, hasn't much to lose. No; her life's nothing to her,
so what's the worth of nothing? She goes with me--it becomes something.
Then she must pay--we both must pay! Folk are so frightened of paying;
they'd rather starve and die."
Sons and Lovers |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Great God Pan by Arthur Machen: illness and death. I don't expect to have an answer for
another three weeks or a month. I thought I might as well
inquire whether Meyrick knew an Englishwoman named Herbert, and
if so, whether the doctor could give me any information about
her. But it's very possible that Meyrick fell in with her at
New York, or Mexico, or San Francisco; I have no idea as to the
extent or direction of his travels."
"Yes, and it's very possible that the woman may have
more than one name."
"Exactly. I wish I had thought of asking you to lend
me the portrait of her which you possess. I might have enclosed
The Great God Pan |
The third excerpt represents the future or something you must embrace, and is drawn from She Stoops to Conquer by Oliver Goldsmith: frightful place, so far from home? What has brought you to follow us?
HARDCASTLE. Sure, Dorothy, you have not lost your wits? So far from
home, when you are within forty yards of your own door! (To him.)
This is one of your old tricks, you graceless rogue, you. (To her.)
Don't you know the gate, and the mulberry-tree; and don't you remember
the horse-pond, my dear?
MRS. HARDCASTLE. Yes, I shall remember the horse-pond as long as I
live; I have caught my death in it. (To TONY.) And it is to you, you
graceless varlet, I owe all this? I'll teach you to abuse your mother,
I will.
TONY. Ecod, mother, all the parish says you have spoiled me, and so
She Stoops to Conquer |