Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Charles Manson

The first excerpt represents the past or something you must release, and is drawn from Sons and Lovers by D. H. Lawrence:

after all."

"I think you ought to consider HER."

"So I DO! What can people say?--that we take a walk together. I believe you're jealous."

"You know I should be GLAD if she weren't a married woman."

"Well, my dear, she lives separate from her husband, and talks on platforms; so she's already singled out from the sheep, and, as far as I can see, hasn't much to lose. No; her life's nothing to her, so what's the worth of nothing? She goes with me--it becomes something. Then she must pay--we both must pay! Folk are so frightened of paying; they'd rather starve and die."


Sons and Lovers
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Great God Pan by Arthur Machen:

illness and death. I don't expect to have an answer for another three weeks or a month. I thought I might as well inquire whether Meyrick knew an Englishwoman named Herbert, and if so, whether the doctor could give me any information about her. But it's very possible that Meyrick fell in with her at New York, or Mexico, or San Francisco; I have no idea as to the extent or direction of his travels."

"Yes, and it's very possible that the woman may have more than one name."

"Exactly. I wish I had thought of asking you to lend me the portrait of her which you possess. I might have enclosed


The Great God Pan
The third excerpt represents the future or something you must embrace, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

frightful place, so far from home? What has brought you to follow us?

HARDCASTLE. Sure, Dorothy, you have not lost your wits? So far from home, when you are within forty yards of your own door! (To him.) This is one of your old tricks, you graceless rogue, you. (To her.) Don't you know the gate, and the mulberry-tree; and don't you remember the horse-pond, my dear?

MRS. HARDCASTLE. Yes, I shall remember the horse-pond as long as I live; I have caught my death in it. (To TONY.) And it is to you, you graceless varlet, I owe all this? I'll teach you to abuse your mother, I will.

TONY. Ecod, mother, all the parish says you have spoiled me, and so


She Stoops to Conquer