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Today's Stichomancy for Galileo Galilei

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

was not a Schopenhaurite every day in the week, nor even a Wagnerite. His mind changes as often as his mood. On Monday nothing will ever induce him to return to quilldriving: on Tuesday he begins a new pamphlet. On Wednesday he is impatient of the misapprehensions of people who cannot see how impossible it is for him to preside as a conductor over platform performances of fragments of his works, which can only be understood when presented strictly according to his intention on the stage: on Thursday he gets up a concert of Wagnerian selections, and when it is over writes to his friends describing how profoundly both bandsmen and audience were impressed. On Friday he exults in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of the West by O. Henry:

was out there with a fresh pink dress on, and almost cool enough to handle.

"I sat down by her and made a few specifications about the moral surface of nature as set forth by the landscape and the contiguous perspective. That evening was surely a case in point. The moon was attending to business in the section of sky where it belonged, and the trees was making shadows on the ground according to science and nature, and there was a kind of conspicuous hullabaloo going on in the bushes between the bullbats and the orioles and the jack-rabbits and other feathered insects of the forest. And the wind out of the mountains was singing like a Jew's-harp in the pile of old tomato-cans


Heart of the West
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

indeed: boarding a strange ship with breakfast in two baskets for all hands and calmly inviting himself to the captain's table! Never heard of anything so crafty and so impudent in his life.

I found myself defending Jacobus's unusual methods.

"He's the brother of one of the wealthiest merchants in the port." The mate's eyes fairly snapped green sparks.

"His grand brother hasn't spoken to him for eighteen or twenty years," he declared triumphantly. "So there!"

"I know all about that," I interrupted loftily.

"Do you sir? H'm!" His mind was still running on the ethics of commercial competition. "I don't like to see your good nature


'Twixt Land & Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Damaged Goods by Upton Sinclair:

"What shall I do?" he asked.

The other answered, "Go to your father-in-law and tell him frankly the truth."

"But," cried the young man, wildly, "there will be no question then of three or four years' delay. He will refuse his consent altogether."

"If that is the case," said the doctor, "don't tell him anything."

"But I have to give him a reason, or I don't know what he will do. He is the sort of man to give himself to the worst violence, and again my fiancee would be lost to me. Listen, doctor. From everything I have said to you, you may perhaps think I am a