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Today's Stichomancy for Al Pacino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In the South Seas by Robert Louis Stevenson:

tantalised without enlightening us; and the less we understood, the more gallantly, the more copiously, and with still the more explanatory gestures, Mapiao returned to the assault. We could see his vanity was on the rack; being come to a place where that fine jewel of his conversational talent could earn him no respect; and he had times of despair when he desisted from the endeavour, and instants of irritation when he regarded us with unconcealed contempt. Yet for me, as the practitioner of some kindred mystery to his own, he manifested to the last a measure of respect. As we sat under the awning in opposite corners of the cockpit, he braiding hairs from dead men's chins, I forming runes upon a sheet

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

card-player, that he lost large sums of money, and that his financial affairs were considerably embarrassed. The only thing about which I am in doubt is whether it was with my father's knowledge or by his directions that the house was sold, or whether the relative in question did not exceed his instructions and decide on the sale of his own initiative. My father cherished his parents' memory to such an extent, and had such a warm affection for everything relating to his own childhood, that it is hard to believe that he would have raised his hand against the house in which he had been born and brought up and in which his mother had spent her whole life.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Witch, et. al by Anton Chekhov:

chill."

"It's revolting," Pavel Ivanitch went on. "The worst of it is they know perfectly well that you can't last out the long journey, and yet they put you here. Supposing you get as far as the Indian Ocean, what then? It's horrible to think of it. . . . And that's their gratitude for your faithful, irreproachable service!"

Pavel Ivanitch's eyes looked angry; he frowned contemptuously and said, gasping:

"Those are the people who ought to be plucked in the newspapers till the feathers fly in all directions."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Polly of the Circus by Margaret Mayo:

before him; a numb desolation was growing in his heart; the object for which he had gone on day by day was being left behind and he must stumble forth into the night alone.

"It's hard to leave her," he mumbled; "but the show has got to go on."

The door shut out the bent, old figure. Douglas stood for some time where Toby had left him, still thinking of his prophetic words. His revery was broken by the sounds of the departing wagons, the low muttered curses of the drivers, the shrieking and roaring of the animals, as the circus train moved up the distant hill. "The show has got to go on," he repeated as he crossed to