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Today's Stichomancy for Clint Eastwood

The first excerpt represents the past or something you must release, and is drawn from The Cruise of the Jasper B. by Don Marquis:

attentively. So did Barton Ward and Watson Bard. The benign smile which was so characteristic of Wilton Barnstable never left the three faces, but it was evident to Cleggett that these trained intelligences grasped and weighed and ticketed every detail.

While Cleggett narrates, and Wilton Barnstable and his men listen, a word to the reader concerning this great detective.

CHAPTER XX

THE PSYCHOLOGICAL DETECTIVE

Wilton Barnstable was the inventor of a new school of detection of crime. The system came in with him, and it may go out with

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Lone Star Ranger by Zane Grey:

which had decided him to go out to the meeting with Bain. Only now it was different, more powerful.

"Stranger, who are you?" asked another man, somewhat more civilly.

"My name's Duane," replied Duane, curtly.

"An' how'd you come by the hoss?"

Duane answered briefly, and his words were followed by a short silence, during which the men looked at him. Bosomer began to twist the ends of his beard.

"Reckon he's dead, all right, or nobody'd hev his hoss an' guns," presently said Euchre.


The Lone Star Ranger
The third excerpt represents the future or something you must embrace, and is drawn from Timaeus by Plato:

full of perplexity. There is a similar confusion about necessity and free- will, and about the state of the soul after death. Also he sometimes supposes that God is immanent in the world, sometimes that he is transcendent. And having no distinction of objective and subjective, he passes imperceptibly from one to the other; from intelligence to soul, from eternity to time. These contradictions may be softened or concealed by a judicious use of language, but they cannot be wholly got rid of. That an age of intellectual transition must also be one of inconsistency; that the creative is opposed to the critical or defining habit of mind or time, has been often repeated by us. But, as Plato would say, 'there is no harm in repeating twice or thrice' (Laws) what is important for the understanding