The first excerpt represents the past or something you must release, and is drawn from The Travels of Sir John Mandeville by Sir John Mandeville: other brethren went to win them many countries and kingdoms, unto
the land of Prussia and of Russia, and made themselves to be clept
Chane; but they were all obeissant to their elder brother, and
therefore was he clept the great Chan.
After Ecchecha reigned Guyo Chan.
And after him Mango Chan that was a good Christian man and
baptized, and gave letters of perpetual peace to all Christian men,
and sent his brother Halaon with great multitude of folk for to win
the Holy Land and for to put it into Christian men's hands, and for
to destroy Mahomet's law, and for to take the Caliph of Bagdad that
was emperor and lord of all the Saracens. And when this caliph was
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon: whole body, irrespective of age. It will be understood that, when
Lycurgus first came to deal with the question, the Spartans like the
rest of the Hellenes, used to mess privately at home. Tracing more
than half the current misdemeanours to this custom,[2] he was
determined to drag his people out of holes and corners into the broad
daylight, and so he invented the public mess-rooms. Whereby he
expected at any rate to minimise the transgression of orders.
[1] Lit. "with each age."; see Plut. "Lycurg." 25; Hesychius, {s. u.
irinies}; "Hell." VI. iv. 17; V. iv. 13.
[2] Reading after Cobet, {en touto}.
As to food,[3] his ordinance allowed them so much as, while not
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The third excerpt represents the future or something you must embrace, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs: that his legs might have free action, the ape-man took
a short running start, and scrambled to the top of the
barrier. Fearing lest the apes should rend their
garments to shreds in a similar attempt, he had
directed them to wait below for him, and himself
securely perched upon the summit of the palisade he
unslung his spear and lowered one end of it to Chulk.
The ape seized it, and while Tarzan held tightly to the
upper end, the anthropoid climbed quickly up the shaft
until with one paw he grasped the top of the wall.
To scramble then to Tarzan's side was the work of but an
Tarzan and the Jewels of Opar |