The first excerpt represents the past or something you must release, and is drawn from The Monster Men by Edgar Rice Burroughs: above his head and threw him heavily against the
opposite wall, then he turned his attention toward
Sing's assailants. All that had so far saved the
Chinaman from death was the fact that the two savages
were each so anxious to secure his head for the
verandah rafters of his own particular long-house
that they interfered with one another in the
consummation of their common desire.
Although battling for his life, Sing had not failed to
note the advent of the strange young giant, nor the
part he had played in succoring the professor, so that
The Monster Men |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ozma of Oz by L. Frank Baum: ornament and forget my hunger."
"Impossible!" exclaimed the King. "I'll have no clumsy beasts enter
my palace, to overturn and break all my pretty nick-nacks. When the
rest of your friends are transformed you can return to the upper
world, and go about your business."
"As for that, we have no business, when our friends are gone," said
the Lion. "So we do not care much what becomes of us."
Dorothy begged to be allowed to go first into the palace, but Tiktok
firmly maintained that the slave should face danger before the
mistress. The Scarecrow agreed with him in that, so the Nome King
opened the door for the machine man, who tramped into the palace to
Ozma of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from The Shadow Line by Joseph Conrad: Why--what else would you have to fight against."
I kept silent. I don't know what he saw in my
face but he asked abruptly:
"Why--you aren't faint-hearted?"
"God only knows, Captain Giles," was my sin-
cere answer.
"That's all right," he said calmly. "You will
learn soon how not to be faint-hearted. A man has
got to learn everything--and that's what so many
of them youngsters don't understand."
"Well, I am no longer a youngster."
The Shadow Line |