The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayflower Compact: Mr. Edward Winslow Thomas Williams
Mr. William Brewster Gilbert Winslow
Isaac Allerton Edmund Margesson
Miles Standish Peter Brown
John Alden Richard Bitteridge
John Turner George Soule
Francis Eaton Edward Tilly
James Chilton John Tilly
John Craxton Francis Cooke
John Billington Thomas Rogers
Joses Fletcher Thomas Tinker
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Heap O' Livin' by Edgar A. Guest: A heavy price from day to day --
There is no way to get one cheap.
Why, sometimes when they're fast asleep
You have to get up in the night
And go and see that they're all right.
But what they cost in constant care
And worry, does not half compare
With what they bring of joy and bliss --
You'd pay much more for just a kiss.
"Who buys a baby has to pay
A portion of the bill each day;
A Heap O' Livin' |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tono Bungay by H. G. Wells: entertained me and prepared the most amazingly elaborate meals
for me, with soup and salad and chicken and remarkable sweets.
They were all very kind and sympathetic people, systematically
so. And constantly, without attracting attention, I was trying
to get newspapers from home.
My uncle is central to all these impressions.
I have tried to make you picture him, time after time, as the
young man of the Wimblehurst chemist's shop, as the shabby
assistant in Tottenham Court Road, as the adventurer of the early
days of Tono-Bungay, as the confident, preposterous plutocrat.
And now I have to tell of him strangely changed under the shadow
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot: building, for instance, fairly and squarely, may inflict
widespread material damage.
On the other hand, where it is desired to scatter death, as well
as destruction, far and wide, an elaborate form of shrapnel shell
is utilised. The shell in addition to a bursting charge,
contains bullets, pieces of iron, and other metallic fragments.
When the shell bursts, their contents, together with the pieces
of the shell which is likewise broken up by the explosion, are
hurled in all directions over a radius of some 50 yards or more,
according to the bursting charge.
These shells are fired upon impact, a detonator exploding the
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