| The first excerpt represents the past or something you must release, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner: stranger had written.
The stranger said: "Say to him: 'Though you should seek to make that name
immortal in this land; and should write it in gold dust, and set it with
diamonds, and cement it with human blood, shed from the Zambezi to the sea,
yet--." The stranger passed his foot over the words; Peter Halket looked
down, and he saw only a bed of smooth white ashes where the name had been.
The stranger said: "And if he should curse yet further, and say, 'There is
not one man nor woman in South Africa I cannot buy with my money! When I
have the Transvaal, I shall buy God Almighty Himself, if I care to!'
"Then say to him this one thing only, 'Thy money perish with thee!' and
leave him."
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dreams & Dust by Don Marquis: From throats all harsh with pain.
"Silvia, Silvia,
Be Springtime, as of old;
Come clad in laughter, Silvia,
Our Springtime, as of old:
The waiting lowlands and the hills
Are tremulous with daffodils
Unblown, until thy footstep thrills
Their promise into gold."
And, musing on her here, I too
Must wonder if it can be true
|
The third excerpt represents the future or something you must embrace, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw: woman can resist.
SHAKESPEAR. Flatteries! _[Kneeling]_ Oh, madam, I put my case at
your royal feet. I confess to much. I have a rude tongue: I am
unmannerly: I blaspheme against the holiness of anointed royalty; but
oh, my royal mistress, AM I a flatterer?
ELIZABETH. I absolve you as to that. You are far too plain a dealer
to please me. _[He rises gratefully]._
THE DARK LADY. Madam: he is flattering you even as he speaks.
ELIZABETH. _[a terrible flash in her eye]_ Ha! Is it so?
SHAKESPEAR. Madam: she is jealous; and, heaven help me! not without
reason. Oh, you say you are a merciful prince; but that was cruel of
|