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Today's Stichomancy for Adam Sandler

The first excerpt represents the past or something you must release, and is drawn from Buttered Side Down by Edna Ferber:

Louie ran an uncomfortable finger around the edge of his collar, but he stood his ground. "It--it--shows your--neck so," he objected, miserably.

Sophy opened her great eyes wide. "Well, supposin' it does?" she inquired, coolly. "It's a perfectly good neck, ain't it?"

Louie, his face very red, took the plunge. "I don't know. I guess so. But, Sophy, it--looks so--so--you know what I mean. I hate to see the way the fellows rubber at you. Why don't you wear those plain shirtwaist things, with high collars, like my mother wears back home?"

Sophy's teeth came together with a click. She laughed a short


Buttered Side Down
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Journey to the Center of the Earth by Jules Verne:

earth was clothed with immense vegetable forms, the product of the double influence of tropical heat and constant moisture; a vapoury atmosphere surrounded the earth, still veiling the direct rays of the sun.

Thence arises the conclusion that the high temperature then existing was due to some other source than the heat of the sun. Perhaps even the orb of day may not have been ready yet to play the splendid part he now acts. There were no 'climates' as yet, and a torrid heat, equal from pole to equator, was spread over the whole surface of the globe. Whence this heat? Was it from the interior of the earth?

Notwithstanding the theories of Professor Liedenbrock, a violent heat


Journey to the Center of the Earth
The third excerpt represents the future or something you must embrace, and is drawn from Edition of The Ambassadors by Henry James:

"Oh that, yes." But Strether hesitated. "Do you mean he talks of me?"

"So that I have to defend you? No, never.'

"I see," Strether mused. "It's too deep."

"That's his only fault," she returned--"that everything, with him, is too deep. He has depths of silence--which he breaks only at the longest intervals by a remark. And when the remark comes it's always something he has seen or felt for himself--never a bit banal THAT would be what one might have feared and what would kill me But never." She smoked again as she thus, with amused complacency, appreciated her acquisition. "And never about you. We keep clear of