| The first excerpt represents the past or something you must release, and is drawn from Buttered Side Down by Edna Ferber: Louie ran an uncomfortable finger around the edge of his
collar, but he stood his ground. "It--it--shows your--neck so," he
objected, miserably.
Sophy opened her great eyes wide. "Well, supposin' it does?"
she inquired, coolly. "It's a perfectly good neck, ain't it?"
Louie, his face very red, took the plunge. "I don't know. I
guess so. But, Sophy, it--looks so--so--you know what I mean. I
hate to see the way the fellows rubber at you. Why don't you wear
those plain shirtwaist things, with high collars, like my mother
wears back home?"
Sophy's teeth came together with a click. She laughed a short
 Buttered Side Down |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Journey to the Center of the Earth by Jules Verne: earth was clothed with immense vegetable forms, the product of the
double influence of tropical heat and constant moisture; a vapoury
atmosphere surrounded the earth, still veiling the direct rays of the
sun.
Thence arises the conclusion that the high temperature then existing
was due to some other source than the heat of the sun. Perhaps even
the orb of day may not have been ready yet to play the splendid part
he now acts. There were no 'climates' as yet, and a torrid heat,
equal from pole to equator, was spread over the whole surface of the
globe. Whence this heat? Was it from the interior of the earth?
Notwithstanding the theories of Professor Liedenbrock, a violent heat
 Journey to the Center of the Earth |
The third excerpt represents the future or something you must embrace, and is drawn from Edition of The Ambassadors by Henry James: "Oh that, yes." But Strether hesitated. "Do you mean he talks of
me?"
"So that I have to defend you? No, never.'
"I see," Strether mused. "It's too deep."
"That's his only fault," she returned--"that everything, with him,
is too deep. He has depths of silence--which he breaks only at the
longest intervals by a remark. And when the remark comes it's
always something he has seen or felt for himself--never a bit banal
THAT would be what one might have feared and what would kill me But
never." She smoked again as she thus, with amused complacency,
appreciated her acquisition. "And never about you. We keep clear of
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