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Today's Stichomancy for Adam Sandler

The first excerpt represents the past or something you must release, and is drawn from The Emerald City of Oz by L. Frank Baum:

promise to assist me."

"But how can you do it?" asked Dorothy. "How can you keep every one from ever finding Oz?"

"By making our country invisible to all eyes but our own," replied the Sorceress, smiling. "I have a magic charm powerful enough to accomplish that wonderful feat, and now that we have been warned of our danger by the Nome King's invasion, I believe we must not hesitate to separate ourselves forever from all the rest of the world."

"I agree with you," said the Ruler of Oz.

"Won't it make any difference to us?" asked Dorothy, doubtfully.

"No, my dear," Glinda answered, assuringly. "We shall still be able


The Emerald City of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tales of the Klondyke by Jack London:

a great journey in mind, and stood in need of one to feed my dogs and to lift a paddle with me through the long river days. One blanket would cover the twain; so I chose Passuk.

"Have I not said I was a servant to the Government? If not, it is well that ye know. So I was taken on a warship, sleds and dogs and evaporated foods, and with me came Passuk. And we went north, to the winter ice-rim of Bering Sea, where we were landed,-- myself, and Passuk, and the dogs. I was also given moneys of the Government, for I was its servant, and charts of lands which the eyes of man had never dwelt upon, and messages. These messages were sealed, and protected shrewdly from the weather, and I was to

The third excerpt represents the future or something you must embrace, and is drawn from Myths and Myth-Makers by John Fiske:

mental disease. If this be so, they afford an excellent collateral illustration of the belief in werewolves. The same mental habits which led men to regard the insane or epileptic person as a changeling, and which allowed them to explain catalepsy as the temporary departure of a witch's soul from its body, would enable them to attribute a wolf's nature to the maniac or idiot with cannibal appetites. And when the myth-forming process had got thus far, it would not stop short of assigning to the unfortunate wretch a tangible lupine body; for all ancient mythology teemed with precedents for such a transformation.


Myths and Myth-Makers