Today's Stichomancy for Adolf Hitler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phaedrus by Plato:

you not see that the hour is almost noon? there is the midday sun standing still, as people say, in the meridian. Let us rather stay and talk over what has been said, and then return in the cool.

SOCRATES: Your love of discourse, Phaedrus, is superhuman, simply marvellous, and I do not believe that there is any one of your contemporaries who has either made or in one way or another has compelled others to make an equal number of speeches. I would except Simmias the Theban, but all the rest are far behind you. And now I do verily believe that you have been the cause of another.

PHAEDRUS: That is good news. But what do you mean?

SOCRATES: I mean to say that as I was about to cross the stream the usual

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Madame Firmiani by Honore de Balzac:

money like a Parisian. She has excellent tea. It is one of the few houses where you can amuse yourself; the refreshments are exquisite. It is very difficult to get admitted; therefore, of course, one meets only the best society in her salons." Here the Lounger takes a pinch of snuff; he inhales it slowly and seems to say: "I go there, but don't expect me to present YOU."

Evidently the Lounger considers that Madame Firmiani keeps a sort of inn, without a sign.

"Why do you want to know Madame Firmiani? Her parties are as dull as the Court itself. What is the good of possessing a mind unless to avoid such salons, where stupid talk and foolish little ballads are

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Research Magnificent by H. G. Wells:

they are all alike. Sons! One expects them to be different. They aren't different. Why should they be? I suppose I ought to be shocked, Poff. But I'm not. She seems to be very fond of you."

"She's--she's very good--in her way. She's had a difficult life. . . ."

"You can't leave a man about for a moment," Lady Marayne reflected. "Poff, I wish you'd fetch me a glass of water."

When he returned she was looking very fixedly into the fire. "Put it down," she said, "anywhere. Poff! is this Mrs. Helter-Skelter a discreet sort of woman? Do you like her?" She asked a few additional particulars and Benham made his grudging admission of facts. "What I still don't understand, Poff, is why you have been

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

"Hold your tongue!" cried Carlos, laying his broad hand on Lucien's mouth. "Would you tell such a secret to a woman?" he muttered in his ear.

"Esther! A woman!" cried the poet of Les Marguerites.

"Still inditing sonnets!" said the Spaniard. "Nonsense! Sooner or later all these angels relapse into being women, and every woman at moments is a mixture of a monkey and a child, two creatures who can kill us for fun.--Esther, my jewel," said he to the terrified girl, "I have secured as your waiting-maid a creature who is as much mine as if she were my daughter. For your cook, you shall have a mulatto woman, which gives style to a house. With Europe and Asie you can live here