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Today's Stichomancy for Akira Kurosawa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

night. But as the furniture is to be seized, the Englishwoman has cut her stick, all the more because she cost too much for a little whipper-snapper like Lucien."

"You cry up de goots," said Nucingen.

"Naturally," said Asie. "I lend to the beauties; and it pays, for you get two commissions for one job."

Asie was amusing herself by caricaturing the manners of a class of women who are even greedier but more wheedling and mealy-mouthed than the Malay woman, and who put a gloss of the best motives on the trade they ply. Asie affected to have lost all her illusions, five lovers, and some children, and to have submitted to be robbed by everybody in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pupil by Henry James:

when one owed money, couldn't last for ever; and when the treasure was gone - the boy knew when it had failed - Morgan did break ground. The party had returned to Nice at the beginning of the winter, but not to the charming villa. They went to an hotel, where they stayed three months, and then moved to another establishment, explaining that they had left the first because, after waiting and waiting, they couldn't get the rooms they wanted. These apartments, the rooms they wanted, were generally very splendid; but fortunately they never COULD get them - fortunately, I mean, for Pemberton, who reflected always that if they had got them there would have been a still scantier educational fund. What

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Arcturus by David Lindsay:

broke out in an eruption of spouts.

He realised that the ideas passing from him did not arise in his intellect, but had their source in the fathomless depths of his will. He could not decide what character they should have, but he was able to force them out, or retard them, by the exercise of his volition.

At first nothing changed around him. Then the moon grew dimmer, and a strange, new radiance began to illuminate the landscape. It increased so imperceptibly that it was some time before he recognised it as the Muspel-light which he had seen in the Wombflash Forest. He could not give it a colour, or a name, but it filled him with a sort of stern and sacred awe. He called up the resources of his powerful

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Louis Lambert by Honore de Balzac:

punished for not working. The Fathers, too often deluded by shammed ailments, would not believe in real suffering.

The price paid for our schooling and board also covered the cost of clothing. The committee contracted for the shoes and clothes supplied to the boys; hence the weekly inspection of which I have spoken. This plan, though admirable for the manager, is always disastrous to the managed. Woe to the boy who indulged in the bad habit of treading his shoes down at heel, of cracking the shoe-leather, or wearing out the soles too fast, whether from a defect in his gait, or by fidgeting during lessons in obedience to the instinctive need of movement common to all children. That boy did not get through the winter without great


Louis Lambert