| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Euthydemus by Plato: more sustained, the contrast between Socrates and the two Sophists,
although veiled, penetrates deeper than in any other of his writings. Even
Thrasymachus, in the Republic, is at last pacified, and becomes a friendly
and interested auditor of the great discourse. But in the Euthydemus the
mask is never dropped; the accustomed irony of Socrates continues to the
end...
Socrates narrates to Crito a remarkable scene in which he has himself taken
part, and in which the two brothers, Dionysodorus and Euthydemus, are the
chief performers. They are natives of Chios, who had settled at Thurii,
but were driven out, and in former days had been known at Athens as
professors of rhetoric and of the art of fighting in armour. To this they
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Prufrock/Other Observations by T. S. Eliot: Well! and what if she should die some afternoon,
Afternoon grey and smoky, evening yellow and rose;
Should die and leave me sitting pen in hand
With the smoke coming down above the housetops;
Doubtful, for quite a while
Not knowing what to feel or if I understand
Or whether wise or foolish, tardy or too soon ...
Would she not have the advantage, after all?
This music is successful with a "dying fall"
Now that we talk of dying--
And should I have the right to smile?
Prufrock/Other Observations |
