| The first excerpt represents the past or something you must release, and is drawn from She Stoops to Conquer by Oliver Goldsmith: champion of romance, examine the giant's force before I offer to
combat.
MAID. But you are sure you can act your part, and disguise your voice
so that he may mistake that, as he has already mistaken your person?
MISS HARDCASTLE. Never fear me. I think I have got the true bar
cant--Did your honour call?--Attend the Lion there--Pipes and tobacco
for the Angel.--The Lamb has been outrageous this half-hour.
MAID. It will do, madam. But he's here. [Exit MAID.]
Enter MARLOW.
MARLOW. What a bawling in every part of the house! I have scarce a
moment's repose. If I go to the best room, there I find my host and
She Stoops to Conquer |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lin McLean by Owen Wister: struck now?" he inquired; and as last night returned abruptly upon his
mind, he raised himself on his arm.
There sat Responsibility in a chair, washed clean and dressed, watching
him.
"You're awful late," said Responsibility. "But I weren't a-going without
telling you good-bye."
"Go?" exclaimed Lin. "Go where? Yu' surely ain't leavin' me to eat
breakfast alone?" The cow-puncher made his voice very plaintive. Set
Responsibility free after all his trouble to catch him? This was more
than he could do!
"I've got to go. If I'd thought you'd want for me to stay--why, you said
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The third excerpt represents the future or something you must embrace, and is drawn from The Two Noble Kinsmen by William Shakespeare: Kissing the man they looke for: farewell, Father;
Get many more such prisoners and such daughters,
And shortly you may keepe your selfe. Now to him!
Actus Tertius.
Scaena 1. (A forest near Athens.)
[Cornets in sundry places. Noise and hallowing as people a
Maying.]
[Enter Arcite alone.]
ARCITE.
The Duke has lost Hypolita; each tooke
A severall land. This is a solemne Right
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