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Today's Stichomancy for Al Capone

The first excerpt represents the past or something you must release, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

from those as the other. As for the most signal events abroad in France, Flanders, Italy and Spain, I shall make no scruple to predict them in plain terms: Some of them are of importance, and I hope I shall seldom mistake the day they will happen; therefore, I think good to inform the reader, that I all along make use of the Old Style observed in England, which I desire he will compare with that of the news-papers, at the time they relate the actions I mention.

I must add one word more: I know it hath been the opinion of several of the learned, who think well enough of the true art of astrology, That the stars do only incline, and not force the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mad King by Edgar Rice Burroughs:

up the side of the cathedral. The grounds were walled up on this side, and he sought in vain for entrance. At the rear he discovered a limousine standing in the alley where its chauffeur had left it after depositing his passengers at the front door of the cathedral. The top of the limousine was but a foot or two below the top of the wall.

Maenck clambered to the hood of the machine, and from there to the top. A moment later he dropped to the earth inside the cathedral grounds. Before him were many win- dows. Most of them were too high for him to reach, and the others that he tried at first were securely fastened. Pass-


The Mad King
The third excerpt represents the future or something you must embrace, and is drawn from War and the Future by H. G. Wells:

that must satisfy a rational German as completely as a rational Frenchman or Englishman. It has nothing against it but the prejudice against new and entirely novel things.

3

In throwing out the suggestion that America should ultimately undertake the responsibility of proposing a world peace settlement, I admit that I run counter to a great deal of European feeling. Nowhere in Europe now do people seem to be in love with the United States. But feeling is a colour that passes. And the question is above matters of feeling. Whether the belligerents dislike Americans or the Americans dislike the