Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Al Pacino

The first excerpt represents the past or something you must release, and is drawn from The Call of the Canyon by Zane Grey:

"I've enjoyed this dinner more than any I've ever eaten."

"Thanks, Carley. That'll help a lot," he said, gayly, but his eyes shone with earnest, glad light. "I hoped I'd surprise you. I've found out here that I want to do things well. The West stirs something in a man. It must be an unwritten law. You stand or fall by your own hands. Back East you know meals are just occasions--to hurry through--to dress for--to meet somebody--to eat because you have to eat. But out here they are different. I don't know how. In the city, producers, merchants, waiters serve you for money. The meal is a transaction. It has no significance. It is money that keeps you from starvation. But in the West money doesn't mean much. You must work to live."


The Call of the Canyon
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays of Travel by Robert Louis Stevenson:

soap, white and slippery like fish; nor should I forget a looking- glass and a pair of questionable combs. Another Scots lad was here, scrubbing his face with a good will. He had been three months in New York and had not yet found a single job nor earned a single halfpenny. Up to the present, he also was exactly out of pocket by the amount of the fare. I began to grow sick at heart for my fellow- emigrants.

Of my nightmare wanderings in New York I spare to tell. I had a thousand and one things to do; only the day to do them in, and a journey across the continent before me in the evening. It rained with patient fury; every now and then I had to get under cover for a

The third excerpt represents the future or something you must embrace, and is drawn from Danny's Own Story by Don Marquis:

off part of the tent Watty and his wife slept in. She was setting on Watty's chest and he was gasp- ing fur mercy.

"You know it ain't true," says Watty, kind of smothered-like.

"It is," says she, "you own up it is!" And she give him a jounce.

"No, darling," he gets out of him, "you know I never could bear them thin, scrawny kind of women." And he begins to call her pet names of all kinds and beg her please, if she won't get off complete, to set