| The first excerpt represents the past or something you must release, and is drawn from Oedipus Trilogy by Sophocles: I could have met my father in the shades,
Or my poor mother, since against the twain
I sinned, a sin no gallows could atone.
Aye, but, ye say, the sight of children joys
A parent's eyes. What, born as mine were born?
No, such a sight could never bring me joy;
Nor this fair city with its battlements,
Its temples and the statues of its gods,
Sights from which I, now wretchedst of all,
Once ranked the foremost Theban in all Thebes,
By my own sentence am cut off, condemned
 Oedipus Trilogy |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Bride of Lammermoor by Walter Scott: an--an--(he hesitated for a phrase)--an out-of-doors artist?
Hogarth has introduced himself in that character in one of his
best engravings; Domenichino, or somebody else, in ancient
times, Morland in our own, have exercised their talents in this
manner. And wherefore limit to the rich and higher classes alone
the delight which the exhibition of works of art is calculated to
inspire into all classes? Statues are placed in the open air,
why should Painting be more niggardly in displaying her
masterpieces than her sister Sculpture? And yet, my friend, we
must part suddenly; the carpenter is coming in an hour to put up
the--the emblem; and truly, with all my philosophy, and your
 The Bride of Lammermoor |
The third excerpt represents the future or something you must embrace, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain: Yes, she was satisfied now, and quite happy and sentimental over it.
She kept coming daily, and at last she was told that Tom had come home.
She began to tremble with emotion, and straightway sent to beg him
to let his "po' ole nigger Mammy have jes one sight of him en die for joy."
Tom was stretched at his lazy ease on a sofa when Chambers brought
the petition. Time had not modified his ancient detestation of the
humble drudge and protector of his boyhood; it was still bitter
and uncompromising. He sat up and bent a severe gaze upon the face
of the young fellow whose name he was unconsciously using and whose
family rights he was enjoying. He maintained the gaze until the victim
of it had become satisfactorily pallid with terror, then he said:
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