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Today's Stichomancy for Alan Greenspan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anna Karenina by Leo Tolstoy:

"Oh, please, don't trouble about me," answered Anna, looking intently into Dolly's face, trying to make out whether there had been a reconciliation or not.

"It will be lighter for you here," answered her sister-in-law.

"I assure you that I sleep evrywhere, and always like a marmot."

"What's the question?" inquired Stepan Arkadyevitch, coming out of his room and addressing his wife.

From his tone both Kitty and Anny knew that a reconciliation had taken place.

"I want to move Anna downstairs, but we must hand up blinds. No one knows how to do it; I must see to it myself," answered Dolly


Anna Karenina
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Critias by Plato:

geography are intermingled ('Why, here be truths!'): (3) the extreme minuteness with which the numbers are given, as in the Old Epic poetry: (4) the ingenious reason assigned for the Greek names occurring in the Egyptian tale: (5) the remark that the armed statue of Athena indicated the common warrior life of men and women: (6) the particularity with which the third deluge before that of Deucalion is affirmed to have been the great destruction: (7) the happy guess that great geological changes have been effected by water: (8) the indulgence of the prejudice against sailing beyond the Columns, and the popular belief of the shallowness of the ocean in that part: (9) the confession that the depth of the ditch in the Island of Atlantis was not to be believed, and 'yet he could only

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moran of the Lady Letty by Frank Norris:

slatting and flapping in the wind. Next the for'sail was set in much the same manner, and Wilbur was ordered to "lay out on the ji'boom and cast the gaskets off the jib." He "lay out" as best he could and cast off the gaskets--he knew barely enough of yachting to understand an order here and there--and by the time he was back on the fo'c'sle head the Chinamen were at the jib halyard and hoisting away.

"That's well, y'r jib halyards."

The "Bertha Millner" veered round and played off to the wind, tugging at her anchor.

"Man y'r windlass."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

place. The crouching servility, usually so acceptable a quality in a slave, did not answer when manifested toward her. Her favor was not gained by it; she seemed to be disturbed by it. She did not deem it impudent or unmannerly for a slave to look her in the face. The meanest slave was put fully at ease in her presence, and none left without feeling bet- ter for having seen her. Her face was made of heav- enly smiles, and her voice of tranquil music. But, alas! this kind heart had but a short time to


The Narrative of the Life of Frederick Douglass: An American Slave