The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sophist by Plato: character he parts company from the vain and impertinent talker in private
life, who is a loser of money, while he is a maker of it.
But there is another general division under which his art may be also
supposed to fall, and that is purification; and from purification is
descended education, and the new principle of education is to interrogate
men after the manner of Socrates, and make them teach themselves. Here
again we catch a glimpse rather of a Socratic or Eristic than of a Sophist
in the ordinary sense of the term. And Plato does not on this ground
reject the claim of the Sophist to be the true philosopher. One more
feature of the Eristic rather than of the Sophist is the tendency of the
troublesome animal to run away into the darkness of Not-being. Upon the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Catriona by Robert Louis Stevenson: glass, and I saw there was no choice of methods. I had not one doit of
coin, but in my pocket-book I had still my letter on the Leyden
merchant; and there was now but the one way to get to Leyden, and that
was to walk on our two feet.
"Catriona," said I, "I know you're brave and I believe you're strong -
do you think you could walk thirty miles on a plain road?" We found
it, I believe, scarce the two-thirds of that, but such was my notion of
the distance.
"David," she said, "if you will just keep near, I will go anywhere and
do anything. The courage of my heart, it is all broken. Do not be
leaving me in this horrible country by myself, and I will do all else."
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