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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from The Ball at Sceaux by Honore de Balzac: painted pretty well, spoke Italian and English, and played the piano
brilliantly; her voice, trained by the best masters, had a ring in it
which made her singing irresistibly charming. Clever, and intimate
with every branch of literature, she might have made folks believe
that, as Mascarille says, people of quality come into the world
knowing everything. She could argue fluently on Italian or Flemish
painting, on the Middle Ages or the Renaissance; pronounced at
haphazard on books new or old, and could expose the defects of a work
with a cruelly graceful wit. The simplest thing she said was accepted
by an admiring crowd as a fetfah of the Sultan by the Turks. She thus
dazzled shallow persons; as to deeper minds, her natural tact enabled
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