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Today's Stichomancy for Alanis Morissette

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Red Badge of Courage by Stephen Crane:

out in vague damnations.

The lieutenant, who had listened with an air of impotent rage to the interview, spoke suddenly in firm and undaunted tones. "I don't care what a man is--whether he is a general or what--if he says th' boys didn't put up a good fight out there he's a damned fool."

"Lieutenant," began the colonel, severely, "this is my own affair, and I'll trouble you--"

The lieutenant made an obedient gesture. "All right, colonel, all right," he said. He sat


The Red Badge of Courage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Daughter of Eve by Honore de Balzac:

"What do you expect me to know, Marie?"

"Well! about Nathan."

"You think you love him," he replied; "but you love a phantom made of words."

"Then you know--"

"All," he said.

The word fell on Marie's head like the blow of a club.

"If you wish it, I will know nothing," he continued. "You are standing on the brink of a precipice, my child, and I must draw you from it. I have already done something. See!"

He drew from his pocket her letter of guarantee and the four notes

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Deserted Woman by Honore de Balzac:

natural at his age. Several times he made the circuit of the garden walls, looking earnestly through every gap at the closed shutters or open windows, hoping for some romantic chance, on which he founded schemes for introducing himself into this unknown lady's presence, without a thought of their impracticability. Morning after morning was spent in this way to mighty purpose; but with each day's walk, that vision of a woman living apart from the world, of love's martyr buried in solitude, loomed larger in his thoughts, and was enshrined in his soul. So Gaston de Nueil walked under the walls of Courcelles, and some gardener's heavy footstep would set his heart beating high with hope.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When the World Shook by H. Rider Haggard:

children, with them dies the race."

"Then were you the last of your people?" I asked.

"Inquire of my father," she replied, and led the way through the massive arch of a great building.

It led into a walled courtyard in the centre of which was a plain cupola of marble with a gate of some pale metal that looked like platinum mixed with gold. This gate stood open. Within it was the statue of a woman beautifully executed in white marble and set in a niche of some black stone. The figure was draped as though to conceal the shape, and the face was stern and majestic rather than beautiful. The eyes of the statue were


When the World Shook