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Today's Stichomancy for Alanis Morissette

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

I'd go away! For my part I've no more love for my country than I have for Botany Bay!"

"Come," said Longways; "let the young man draw onward with his ballet, or we shall be here all night."

"That's all of it," said the singer apologetically.

"Soul of my body, then we'll have another!" said the general dealer.

"Can you turn a strain to the ladies, sir?" inquired a fat woman with a figured purple apron, the waiststring of which was overhung so far by her sides as to be invisible.

"Let him breathe--let him breathe, Mother Cuxsom. He hain't


The Mayor of Casterbridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

of "Our Lady," "Queen of Heaven," "Star of the Sea," "Mother of God," and so forth. Before her, Neith, the Virgin of the World, whose figure bends from the sky over the earthly plains and the children of men, was acclaimed as mother of the great god Osiris. The saviour Mithra, too, was born of a Virgin, as we have had occasion to notice before; and on the Mithrais monuments the mother suckling her child is a not uncommon figure.[3]

[1] For this interpretation of the word Andromeda see The Perfect Way by Edward Maitland, preface to First Edition, 1881.

[2] Contra Jovian, Book I; and quoted by Rhys Davids in his


Pagan and Christian Creeds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Ideal Husband by Oscar Wilde:

the time of his death, that he had been mixed up in the whole affair.

MRS. CHEVELEY. It was his last romance. His last but one, to do him justice.

SIR ROBERT CHILTERN. [Rising.] But you have not seen my Corots yet. They are in the music-room. Corots seem to go with music, don't they? May I show them to you?

MRS. CHEVELEY. [Shaking her head.] I am not in a mood to-night for silver twilights, or rose-pink dawns. I want to talk business. [Motions to him with her fan to sit down again beside her.]

SIR ROBERT CHILTERN. I fear I have no advice to give you, Mrs. Cheveley, except to interest yourself in something less dangerous.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

The plunging ships, the bleating sheep, The happy children ankle-deep And laughing as they wade: All these are vanished clean away, And the old manse is changed to-day; It wears an altered face And shields a stranger race. The river, on from mill to mill, Flows past our childhood's garden still; But ah! we children never more Shall watch it from the water-door!


A Child's Garden of Verses