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Today's Stichomancy for Alec Guinness

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Aspern Papers by Henry James:

That was what the old woman represented--esoteric knowledge; and this was the idea with which my editorial heart used to thrill. It literally beat faster often, of an evening, when I had been out, as I stopped with my candle in the re-echoing hall on my way up to bed. It was as if at such a moment as that, in the stillness, after the long contradiction of the day, Miss Bordereau's secrets were in the air, the wonder of her survival more palpable. These were the acute impressions. I had them in another form, with more of a certain sort of reciprocity, during the hours that I sat in the garden looking up over the top of my book at the closed windows of my hostess. In these windows no sign of life ever appeared; it was as if, for fear of my catching

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

toward the distant mountains.

As the Lotharian had turned toward them, Thuvia had been surprised to hear Carthoris suddenly voice a new plan.

"Remain here with Jav," she had heard him say, "while I go to search for the passage through the cliffs."

She had dropped back in surprise and disappointment, for she knew that there was no reason why she should not have accompanied him. Certainly she should have been safer with him than left here alone with the Lotharian.

And Jav watched the two and smiled his cunning smile.

When Carthoris had disappeared within the wood, Thuvia


Thuvia, Maid of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moral Emblems by Robert Louis Stevenson:

How aptly fact to fact replies: Heroes and eagles, hills and skies. Ye who contemn the fatted slave Look on this emblem, and be brave.

Poem: IV

See in the print how, moved by whim, Trumpeting Jumbo, great and grim, Adjusts his trunk, like a cravat, To noose that individual's hat. The sacred Ibis in the distance Joys to observe his bold resistance.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

of spirit, which, being real, and the deepest sensation of which the artist was now conscious, was more intolerable than any fantastic miseries and horrors that the abuse of wine could summon up. In the latter case he could remember, even out of the midst of his trouble, that all was but a delusion; in the former, the heavy anguish was his actual life.

From this perilous state he was redeemed by an incident which more than one person witnessed, but of which the shrewdest could not explain or conjecture the operation on Owen Warland's mind. It was very simple. On a warm afternoon of spring, as the artist sat among his riotous companions with a glass of wine before him,


Mosses From An Old Manse