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Today's Stichomancy for Aleister Crowley

The first excerpt represents the past or something you must release, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe:

strong fort and a battery of guns to the seaward, just as at Tilbury, and which sufficiently defend the mouth of the river. And there is a particular felicity in this fortification, viz., that though the entrance or opening of the river into the sea is very wide, especially at high-water, at least two miles, if not three over; yet the Channel, which is deep, and in which the ships must keep and come to the harbour, is narrow, and lies only on the side of the fort, so that all the ships which come in or go out must come close under the guns of the fort - that is to say, under the command of their shot.

The fort is on the Suffolk side of the bay or entrance, but stands

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Communist Manifesto by Karl Marx:

At this stage the labourers still form an incoherent mass scattered over the whole country, and broken up by their mutual competition. If anywhere they unite to form more compact bodies, this is not yet the consequence of their own active union, but of the union of the bourgeoisie, which class, in order to attain its own political ends, is compelled to set the whole proletariat in motion, and is moreover yet, for a time, able to do so. At this stage, therefore, the proletarians do not fight their enemies, but the enemies of their enemies, the remnants of absolute monarchy, the landowners, the non-industrial bourgeois, the petty bourgeoisie. Thus the whole historical movement is concentrated


The Communist Manifesto
The third excerpt represents the future or something you must embrace, and is drawn from Essays of Travel by Robert Louis Stevenson:

light running down them as down the shafts of pillars, that looked as if it ought to lead to something, and led only to a corner of sombre and intricate jungle. Sometimes a spray of delicate foliage would be thrown out flat, the light lying flatly along the top of it, so that against a dark background it seemed almost luminous. There was a great bush over the thicket (for, indeed, it was more of a thicket than a wood); and the vague rumours that went among the tree-tops, and the occasional rustling of big birds or hares among the undergrowth, had in them a note of almost treacherous stealthiness, that put the imagination on its guard and made me walk warily on the russet carpeting of last year's leaves. The spirit of the place