The first excerpt represents the past or something you must release, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe: strong fort and a battery of guns to the seaward, just as at
Tilbury, and which sufficiently defend the mouth of the river. And
there is a particular felicity in this fortification, viz., that
though the entrance or opening of the river into the sea is very
wide, especially at high-water, at least two miles, if not three
over; yet the Channel, which is deep, and in which the ships must
keep and come to the harbour, is narrow, and lies only on the side
of the fort, so that all the ships which come in or go out must
come close under the guns of the fort - that is to say, under the
command of their shot.
The fort is on the Suffolk side of the bay or entrance, but stands
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Communist Manifesto by Karl Marx: At this stage the labourers still form an incoherent mass
scattered over the whole country, and broken up by their mutual
competition. If anywhere they unite to form more compact bodies,
this is not yet the consequence of their own active union, but of
the union of the bourgeoisie, which class, in order to attain its
own political ends, is compelled to set the whole proletariat in
motion, and is moreover yet, for a time, able to do so. At this
stage, therefore, the proletarians do not fight their enemies,
but the enemies of their enemies, the remnants of absolute
monarchy, the landowners, the non-industrial bourgeois, the petty
bourgeoisie. Thus the whole historical movement is concentrated
 The Communist Manifesto |
The third excerpt represents the future or something you must embrace, and is drawn from Essays of Travel by Robert Louis Stevenson: light running down them as down the shafts of pillars, that looked as
if it ought to lead to something, and led only to a corner of sombre
and intricate jungle. Sometimes a spray of delicate foliage would be
thrown out flat, the light lying flatly along the top of it, so that
against a dark background it seemed almost luminous. There was a
great bush over the thicket (for, indeed, it was more of a thicket
than a wood); and the vague rumours that went among the tree-tops,
and the occasional rustling of big birds or hares among the
undergrowth, had in them a note of almost treacherous stealthiness,
that put the imagination on its guard and made me walk warily on the
russet carpeting of last year's leaves. The spirit of the place
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