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Today's Stichomancy for Aleister Crowley

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

Are his one child? He has no other child. You are the gracious pillar of his house, The flower of a garden full of weeds. Your father's nephews do not love him well So run folks' tongues in Florence. I meant but that. Men say they envy your inheritance And look upon your vineyards with fierce eyes As Ahab looked on Naboth's goodly field. But that is but the chatter of a town Where women talk too much.

Good-night, my lord.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad:

get out of a mess somehow."

VI.

It is difficult to disconnect the idea of ships' anchors from the idea of the ship's chief mate - the man who sees them go down clear and come up sometimes foul; because not even the most unremitting care can always prevent a ship, swinging to winds and tide, from taking an awkward turn of the cable round stock or fluke. Then the business of "getting the anchor" and securing it afterwards is unduly prolonged, and made a weariness to the chief mate. He is the man who watches the growth of the cable - a sailor's phrase which has all the force, precision, and imagery of technical


The Mirror of the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac:

of January, one does not feel sorry to see the ghastly procession."

"Why not?" asked the abbe. "That is not said like a Christian."

"Eh! but it is the execution of Robespierre's accomplices. They defended themselves as long as they could, but now it is their turn to go where they sent so many innocent people."

The crowd poured by like a flood. The abbe, yielding to an impulse of curiosity, looked up above the heads, and there in the tumbril stood the man who had heard mass in the garret three days ago.

"Who is it?" he asked; "who is the man with----"

"That is the headsman," answered M. Ragon, calling the executioner-- the executeur des hautes oeuvres--by the name he had borne under the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

against the chimney, and at the same instant sank upon the floor, a medley of straw and tattered garments, with some sticks protruding from the heap, and a shrivelled pumpkin in the midst. The eyeholes were now lustreless; but the rudely-carved gap, that just before had been a mouth still seemed to twist itself into a despairing grin, and was so far human.

"Poor fellow!" quoth Mother Rigby, with a rueful glance at the relics of her ill-fated contrivance. "My poor, dear, pretty Feathertop! There are thousands upon thousands of coxcombs and charlatans in the world, made up of just such a jumble of wornout, forgotten, and good-for-nothing trash as he was! Yet


Mosses From An Old Manse