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Today's Stichomancy for Aleister Crowley

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy:

"Costume in England." "A Just and Seasonable Reprehension of Naked Breasts and Shoulders." Sir William Petty's "Observations of the City of London." John Ogilvy's "London Surveyed." R. Burton's "Historical Remarks." Dr. Birch's "History of the Royal Society of London." "A Century of Inventions." Wild's "History of the Royal Society." "The Philosophical Transactions of the Royal Society." Richardson's "Life of Milton." Philip's "Life of Milton." Johnson's "Lives of the Poets." Aubrey's "Collections for the Life of Milton." Langbaine's "Lives and Characters of the English Dramatic Poets." "Some Remarkable Passages in the Life of Mr. Wycherley." "Some Account of what

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

the fact that a pair of robins had built their nest in the pear-tree, and were making themselves exceed ingly busy and happy in the dark intricacy of its boughs. Bees, too,--strange to say, --had thought it worth their while to come hither, possibly from the range of hives beside some farm-house miles away. How many aerial voyages might they have made, in quest of honey, or honey-laden, betwixt dawn and sunset! Yet, late as it now was, there still arose a pleasant hum out of one or two of the squash-blossoms, in the depths ofwich these bees were plying their golden labor. There was one other object in the garden which Nature might fairly claim as her inalienable property,


House of Seven Gables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Touchstone by Edith Wharton:

He stared at her. "Enough--?"

"Of misery. . . ."

An iron band seemed loosened from his temples. "You saw then . . .?" he whispered.

"Oh, God----oh, God----" she sobbed. She dropped beside him and hid her anguish against his knees. They clung thus in silence, a long time, driven together down the same fierce blast of shame.

When at length she lifted her face he averted his. Her scorn would have hurt him less than the tears on his hands.

She spoke languidly, like a child emerging from a passion of weeping. "It was for the money--?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Death of the Lion by Henry James:

"The wife?" - Mr. Morrow was for a moment as confused as myself. But when I explained that I alluded to Dora Forbes in person he informed me, with visible amusement at my being so out of it, that this was the "pen-name" of an indubitable male - he had a big red moustache. "He goes in for the slight mystification because the ladies are such popular favourites. A great deal of interest is felt in his acting on that idea - which IS clever, isn't it? - and there's every prospect of its being widely imitated." Our host at this moment joined us again, and Mr. Morrow remarked invitingly that he should be happy to make a note of any observation the movement in question, the bid for success under a lady's name,