| The first excerpt represents the past or something you must release, and is drawn from Philosophy 4 by Owen Wister: The tutor stood awhile, holding his notes and turning his little eyes
this way and that. His young days had been dedicated to getting the
better of his neighbor, because otherwise his neighbor would get the
better of him. Oscar had never suspected the existence of boys like
John and Bertie and Billy. He stood holding his notes, and then,
buckling them up once more, he left the room with evidently reluctant
steps. It was at this time that the clocks struck one.
In their field among the soft new grass sat Bertie and Billy some ten
yards apart, each with his back against an apple tree. Each had his
notes and took his turn at questioning the other. Thus the names of the
Greek philosophers with their dates and doctrines were shouted gayly in
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pierrette by Honore de Balzac: common night-table without a door, and three chairs completed the
furniture of the room. The walls, which sloped in front, were hung
with a shabby paper, blue with black flowers. The tiled floor, stained
red and polished, was icy to the feet. There was no carpet except for
a strip at the bedside. The mantelpiece of common marble was adorned
by a mirror, two candelabra in copper-gilt, and a vulgar alabaster cup
in which two pigeons, forming handles, were drinking.
"You will be comfortable here, my little girl?" said Sylvie.
"Oh, it's beautiful!" said the child, in her silvery voice.
"She's not difficult to please," muttered the stout servant. "Sha'n't
I warm her bed?" she asked.
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The third excerpt represents the future or something you must embrace, and is drawn from Two Poets by Honore de Balzac: printed the copies and duly posted them, and the pair remained safe
and sound.
In 1795, when the squall of the Terror had passed over, Nicolas
Sechard was obliged to look out for another jack-of-all-trades to be
compositor, reader, and foreman in one; and an Abbe who declined the
oath succeeded the Comte de Maucombe as soon as the First Consul
restored public worship. The Abbe became a Bishop at the Restoration,
and in after days the Count and the Abbe met and sat together on the
same bench of the House of Peers.
In 1795 Jerome-Nicolas had not known how to read or write; in 1802 he
had made no progress in either art; but by allowing a handsome margin
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