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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the past or something you must release, and is drawn from The Dunwich Horror by H. P. Lovecraft:

Armitage produced a pocket telescope of considerable power and scanned the steep green side of the hill. Then he handed the instrument to Morgan, whose sight was keener. After a moment of gazing Morgan cried out sharply, passing the glass to Earl Sawyer and indicating a certain spot on the slope with his finger. Sawyer, as clumsy as most non-users of optical devices are, fumbled a while; but eventually focused the lenses with Armitage's aid. When he did so his cry was less restrained than Morgan's had been. 'Gawd almighty, the grass an' bushes is a'movin'! It's a-goin' up - slow-like - creepin' - up ter the


The Dunwich Horror
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Great God Pan by Arthur Machen:

up a far, far memory. He was looking intently at the small pen-and-ink sketch of the woman's head; it had evidently been drawn with great care, and by a true artist, for the woman's soul looked out of the eyes, and the lips were parted with a strange smile. Clarke gazed still at the face; it brought to his memory one summer evening, long ago; he saw again the long lovely valley, the river winding between the hills, the meadows and the cornfields, the dull red sun, and the cold white mist rising from the water. He heard a voice speaking to him across the waves of many years, and saying "Clarke, Mary will see the god Pan!" and then he was standing in the grim room beside the


The Great God Pan
The third excerpt represents the future or something you must embrace, and is drawn from Allan Quatermain by H. Rider Haggard:

that he had fought in his own skin for thirty years, and that he was not going to begin now to fight in an iron one. Thereupon I took a heavy spear, and, spreading the shirt upon the floor, drove the spear down upon it with all my strength, the weapon rebounding without leaving a mark upon the tempered steel. This exhibition half converted him; and when I pointed out to him how necessary it was that he should not let any old-fashioned prejudices he might possess stand in the way of a precaution which might preserve a valuable life at a time when men were scarce, and also that if he wore this shirt he might dispense with a shield, and so have both hands free, he yielded at once,


Allan Quatermain