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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chance by Joseph Conrad:

She says: "My father--Mr. Franklin." He was staring at me like an owl. "How do you do, sir?" says I. Both of them looked funny. It was as if something had happened to them on the way. Neither of them moved, and I stood by waiting. The captain showed himself on the poop; and I saw him at the side looking over, and then he disappeared; on the way to meet them on shore, I expected. But he just went down below again. So, not seeing him, I said: "Let me help you on board, sir." "On board!" says he in a silly fashion. "On board!" "It's not a very good ladder, but it's quite firm," says I, as he seemed to be afraid of it. And he didn't look a broken-down old man, either. You can see yourself what he is.


Chance
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pride and Prejudice by Jane Austen:

their want of sense; and she was quite decided, at last, that he had been partly governed by this worst kind of pride, and partly by the wish of retaining Mr. Bingley for his sister.

The agitation and tears which the subject occasioned, brought on a headache; and it grew so much worse towards the evening, that, added to her unwillingness to see Mr. Darcy, it determined her not to attend her cousins to Rosings, where they were engaged to drink tea. Mrs. Collins, seeing that she was really unwell, did not press her to go and as much as possible prevented her husband from pressing her; but Mr. Collins could not conceal his apprehension of Lady Catherine's being rather


Pride and Prejudice
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

And interpreted their meaning, And he said: "Behold, your grave-posts Have no mark, no sign, nor symbol, Go and paint them all with figures; Each one with its household symbol, With its own ancestral Totem; So that those who follow after May distinguish them and know them." And they painted on the grave-posts On the graves yet unforgotten, Each his own ancestral Totem,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Eryxias by Platonic Imitator:

enquiry to the utmost of my power: but first let him who affirms that riches are a good, tell us what, in his opinion, is wealth.

ERASISTRATUS: Indeed, Socrates, I have no notion about wealth beyond that which men commonly have. I suppose that wealth is a quantity of money (compare Arist. Pol.); and this, I imagine, would also be Critias' definition.

SOCRATES: Then now we have to consider, What is money? Or else later on we shall be found to differ about the question. For instance, the Carthaginians use money of this sort. Something which is about the size of a stater is tied up in a small piece of leather: what it is, no one knows but the makers. A seal is next set upon the leather, which then passes