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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Massimilla Doni by Honore de Balzac:

young Venetian felt in his mistress' presence. A woman's instinct has amazing aptitude for harmony of feeling; it assumes the hue, it vibrates to the note suggested by her lover. The pungent flavor of coquettish spice is far indeed from spurring affection so much as this gentle sympathy of tenderness. The smartness of a coquette too clearly marks opposition; however transient it is displeasing; but this intimate comprehension shows a perfect fusion of souls. The hapless Emilio was touched by the unspoken divination which led the Duchess to pity a fault unknown to her.

Massimilla, feeling that her strength lay in the absence of any sensual side to her love, could allow herself to be expansive; she

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey:

exposing a new and strange and susceptible softness of fiber. And this blank habit of mind, when she did not think, and now realized that she was not dreaming, seemed to be the body of Carley Burch, and her heart and soul stripped of a shell. Nerve and emotion and spirit received something from her surroundings. She absorbed her environment. She felt. It was a delightful state. But when her own consciousness caused it to elude her, then she both resented and regretted. Anything that approached permanent attachment to this crude and untenanted West Carley would not tolerate for a moment. Reluctantly she admitted it had bettered her health, quickened her blood, and quite relegated Florida and the Adirondacks, to little consideration.


The Call of the Canyon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ozma of Oz by L. Frank Baum:

"I--I find I've forgotten the brush for my whiskers," said a general, trembling with fear. "S-s-so we are g-going back after it!"

"That is impossible," replied the Tin Woodman. "For the giant with the hammer would kill you all if you tried to pass him."

"Oh! I'd forgotten the giant," said the general, turning pale.

"You seem to forget a good many things," remarked the Tin Woodman. "I hope you won't forget that you are brave men."

"Never!" cried the general, slapping his gold-embroidered chest.

"Never!" cried all the other officers, indignantly slapping their chests.

"For my part," said the private, meekly, "I must obey my officers; so when I am told to run, I run; and when I am told to fight, I fight."


Ozma of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from What is Man? by Mark Twain:

were required of me, and in every instance the thing required was against nature. That is to say, that whatever the needed thing might be, my nature, habit, and breeding moved me to attempt it in one way, while some immutable and unsuspected law of physics required that it be done in just the other way. I perceived by this how radically and grotesquely wrong had been the life-long education of my body and members. They were steeped in ignorance; they knew nothing--nothing which it could profit them to know. For instance, if I found myself falling to the right, I put the tiller hard down the other way, by a quite natural impulse, and so violated a law, and kept on going down. The law


What is Man?