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Today's Stichomancy for Andy Warhol

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

discredit in every point of view, if he does not. What is the use of my saying what some of these opinions are? Perhaps more than one of you hold such as I should think ought to send you straight over to Somerville, if you have any logic in your heads or any human feeling in your hearts. Anything that is brutal, cruel, heathenish, that makes life hopeless for the most of mankind and perhaps for entire races, - anything that assumes the necessity of the extermination of instincts which were given to be regulated, - no matter by what name you call it, - no matter whether a fakir, or a monk, or a deacon believes it, - if received, ought to produce insanity in every well-regulated mind. That condition becomes a


The Autocrat of the Breakfast-Table
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

we had not a larger film supply with us. As it was, we made crude notebook sketches of certain salient features after all our films were used up. The building which we had entered was one of great size and elaborateness, and gave us an impressive notion of the architecture of that nameless geologic past. The inner partitions were less massive than the outer walls, but on the lower levels were excellently preserved. Labyrinthine complexity, involving curiously irregular difference in floor levels, characterized the entire arrangement; and we should certainly have been lost at the very outset but for the trail of torn paper left behind


At the Mountains of Madness
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Grimm's Fairy Tales by Brothers Grimm:

pearls and jewels. 'These are far better than pebbles!' said Hansel, and thrust into his pockets whatever could be got in, and Gretel said: 'I, too, will take something home with me,' and filled her pinafore full. 'But now we must be off,' said Hansel, 'that we may get out of the witch's forest.'

When they had walked for two hours, they came to a great stretch of water. 'We cannot cross,' said Hansel, 'I see no foot-plank, and no bridge.' 'And there is also no ferry,' answered Gretel, 'but a white duck is swimming there: if I ask her, she will help us over.' Then she cried:

'Little duck, little duck, dost thou see,


Grimm's Fairy Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Crowd by Gustave le Bon:

least ten years of travel and observation would be necessary to arrive at a comprehension of them.

Ideas being only accessible to crowds after having assumed a very simple shape must often undergo the most thoroughgoing transformations to become popular. It is especially when we are dealing with somewhat lofty philosophic or scientific ideas that we see how far-reaching are the modifications they require in order to lower them to the level of the intelligence of crowds. These modifications are dependent on the nature of the crowds, or of the race to which the crowds belong, but their tendency is always belittling and in the direction of simplification. This