| The first excerpt represents the past or something you must release, and is drawn from This Side of Paradise by F. Scott Fitzgerald: evening to early morning, sleeping away the dull hours of the
forenoon.
"Yes, sir, I'd marry that girl to-night!"
HEROIC IN GENERAL TONE
October of his second and last year at St. Regis' was a high
point in Amory's memory. The game with Groton was played from
three of a snappy, exhilarating afternoon far into the crisp
autumnal twilight, and Amory at quarter-back, exhorting in wild
despair, making impossible tackles, calling signals in a voice
that had diminished to a hoarse, furious whisper, yet found time
to revel in the blood-stained bandage around his head, and the
 This Side of Paradise |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Glasses by Henry James: "Oh who knows?" I rejoined with small sincerity. "I don't suppose
Iffield is absolutely a brute."
"I would take her with leather blinders, like a shying mare!" cried
Geoffrey Dawling.
I had an impression that Iffield wouldn't, but I didn't communicate
it, for I wanted to pacify my friend, whom I had discomposed too
much for the purposes of my sitting. I recollect that I did some
good work that morning, but it also comes back to me that before we
separated he had practically revealed to me that my anecdote,
connecting itself in his mind with a series of observations at the
time unconscious and unregistered, had covered with light the
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The third excerpt represents the future or something you must embrace, and is drawn from The Vicar of Tours by Honore de Balzac: natural character, which prompted him to avoid a quarrel.
Torn by this inward misery, Birotteau fell to examining attentively
the broad green lines painted on the oilcloth which, from custom
immemorial, Mademoiselle Gamard left on the table at breakfast-time,
without regard to the ragged edges or the various scars displayed on
its surface. The priests sat opposite to each other in cane-seated
arm-chairs on either side of the square table, the head of which was
taken by the landlady, who seemed to dominate the whole from a high
chair raised on casters, filled with cushions, and standing very near
to the dining-room stove. This room and the salon were on the ground-
floor beneath the salon and bedroom of the Abbe Birotteau.
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