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Today's Stichomancy for Antonio Banderas

The first excerpt represents the past or something you must release, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

This little spirit of temper was somewhat of a relief to Mr. Utterson. "They have only differed on some point of science," he thought; and being a man of no scientific passions (except in the matter of conveyancing), he even added: "It is nothing worse than that!" He gave his friend a few seconds to recover his composure, and then approached the question he had come to put. "Did you ever come across a protege of his--one Hyde?" he asked.

"Hyde?" repeated Lanyon. "No. Never heard of him. Since my time."

That was the amount of information that the lawyer carried back with him to the great, dark bed on which he tossed to and


The Strange Case of Dr. Jekyll and Mr. Hyde
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

scrawny bodies, long necks and six legs, or, as I afterward learned, two legs and two arms, with an intermediary pair of limbs which could be used at will either as arms or legs. Their eyes were set at the extreme sides of their heads a trifle above the center and protruded in such a manner that they could be directed either forward or back and also independently of each other, thus permitting this queer animal to look in any direction, or in two directions at once, without the necessity of turning the head.

The ears, which were slightly above the eyes and closer together, were small, cup-shaped antennae, protruding not more than an inch on

The third excerpt represents the future or something you must embrace, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

goes--a very consumptive figure, truly.

Enter TONY, crossing the stage.

MRS. HARDCASTLE. Tony, where are you going, my charmer? Won't you give papa and I a little of your company, lovee?

TONY. I'm in haste, mother; I cannot stay.

MRS. HARDCASTLE. You shan't venture out this raw evening, my dear; you look most shockingly.

TONY. I can't stay, I tell you. The Three Pigeons expects me down every moment. There's some fun going forward.

HARDCASTLE. Ay; the alehouse, the old place: I thought so.

MRS. HARDCASTLE. A low, paltry set of fellows.


She Stoops to Conquer