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Today's Stichomancy for Antonio Banderas

The first excerpt represents the past or something you must release, and is drawn from The Black Arrow by Robert Louis Stevenson:

"Dick!" she cried, "alas the day that ever ye should have seen me! For like a most unhappy and unthankful maid, it is I have led you hither."

"What cheer!" returned Dick. "It was all written, and that which is written, willy nilly, cometh still to pass. But tell me a little what manner of a maid ye are, and how ye came into Sir Daniel's hands; that will do better than to bemoan yourself, whether for your sake or mine."

"I am an orphan, like yourself, of father and mother," said Joanna; "and for my great misfortune, Dick, and hitherto for yours, I am a rich marriage. My Lord Foxham had me to ward; yet it appears Sir

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Coxon Fund by Henry James:

smart."

My companion, who appeared to reflect on this, after a moment appealed. "Do you call him a real gentleman?"

I started slightly at the question, for I had a sense of recognising it: George Gravener, years before, that first flushed night, had put me face to face with it. It had embarrassed me then, but it didn't embarrass me now, for I had lived with it and overcome it and disposed of it. "A real gentleman? Emphatically not!"

My promptitude surprised her a little, but I quickly felt how little it was to Gravener I was now talking. "Do you say that

The third excerpt represents the future or something you must embrace, and is drawn from The Republic by Plato:

greater.

Those, I said, which are narrated by Homer and Hesiod, and the rest of the poets, who have ever been the great story-tellers of mankind.

But which stories do you mean, he said; and what fault do you find with them?

A fault which is most serious, I said; the fault of telling a lie, and, what is more, a bad lie.

But when is this fault committed?

Whenever an erroneous representation is made of the nature of gods and heroes,--as when a painter paints a portrait not having the shadow of a likeness to the original.


The Republic