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Today's Stichomancy for Antonio Banderas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchess of Padua by Oscar Wilde:

The thunder on his head beware the ruin Which the forked flame brings after. [A flash of lightning followed by a peal of thunder.]

GUIDO

Away! away! [Exit the DUCHESS, who as she lifts the crimson curtain looks back for a moment at GUIDO, but he makes no sign. More thunder.] Now is life fallen in ashes at my feet And noble love self-slain; and in its place Crept murder with its silent bloody feet. And she who wrought it - Oh! and yet she loved me,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Prince by Nicolo Machiavelli:

with your own forces, because there can be no more faithful, truer, or better soldiers. And although singly they are good, altogether they will be much better when they find themselves commanded by their prince, honoured by him, and maintained at his expense. Therefore it is necessary to be prepared with such arms, so that you can be defended against foreigners by Italian valour.

And although Swiss and Spanish infantry may be considered very formidable, nevertheless there is a defect in both, by reason of which a third order would not only be able to oppose them, but might be relied upon to overthrow them. For the Spaniards cannot resist cavalry, and the Switzers are afraid of infantry whenever they


The Prince
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde:

and the music of the mystical prose is as sweet in our ears as was that flute-player's music that lent to the lips of La Gioconda those subtle and poisonous curves. Do you ask me what Lionardo would have said had any one told him of this picture that 'all the thoughts and experience of the world had etched and moulded therein that which they had of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the Middle Age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias?' He would probably have answered that he had contemplated none of these things, but had concerned himself simply with certain

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Arrow of Gold by Joseph Conrad:

eagerness which made you uncomfortable. He seemed to expect you to give yourself away by some unconsidered word that he would snap up with delight. It was that peculiarity that somehow put me on my guard. I had no idea who I was facing across the table and as a matter of fact I did not care. All my impressions were blurred; and even the promptings of my instinct were the haziest thing imaginable. Now and then I had acute hallucinations of a woman with an arrow of gold in her hair. This caused alternate moments of exaltation and depression from which I tried to take refuge in conversation; but Senor Ortega was not stimulating. He was preoccupied with personal matters. When suddenly he asked me


The Arrow of Gold