Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Ariel Sharon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Westward Ho! by Charles Kingsley:

position. It was, as I said, strong enough by nature; for though it was commanded by high cliffs on three sides, yet there was no chance of an enemy coming over the enormous mountain-range behind them, and still less chance that, if he came, he would discover them through the dense mass of trees which crowned the cliff, and clothed the hills for a thousand feet above. The attack, if it took place, would come from below; and against that Amyas guarded by felling the smaller trees, and laying them with their boughs outward over the crest of the slope, thus forming an abatis (as every one who has shot in thick cover knows to his cost) warranted to bring up in two steps, horse, dog, or man. The trunks were sawn

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Merry Men by Robert Louis Stevenson:

continued pacing from wall to wall with disconnected gestures, clasping her hands, stretching forth her arms, throwing back her head as in appeal to heaven. In these disordered movements the beauty and grace of the woman showed more clearly; but there was a light in her eye that struck on me unpleasantly; and when I had looked on awhile in silence, and seemingly unobserved, I turned tail as I had come, and groped my way back again to my own chamber.

By the time Felipe brought my supper and lights, my nerve was utterly gone; and, had the lad been such as I was used to seeing him, I should have kept him (even by force had that been necessary) to take off the edge from my distasteful solitude. But on Felipe,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Z. Marcas by Honore de Balzac:

I had finished studying the law in Paris in 1836. I lived at that time in the Rue Corneille in a house where none but students came to lodge, one of those large houses where there is a winding staircase quite at the back lighted below from the street, higher up by borrowed lights, and at the top by a skylight. There were forty furnished rooms-- furnished as students' rooms are! What does youth demand more than was here supplied? A bed, a few chairs, a chest of drawers, a looking- glass, and a table. As soon as the sky is blue the student opens his window.

But in this street there are no fair neighbors to flirt with. In front is the Odeon, long since closed, presenting a wall that is beginning

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tono Bungay by H. G. Wells:

very pink and shocked in the background, and my aunt jealously intervening.

My injuries were much more showy than serious, and I could have been taken to Lady Grove next day, but Beatrice would not permit that, and kept me at Bedley Corner three clear days. In the afternoon of the second day she became extremely solicitous for the proper aeration of the nurse, packed her off for an hour in a brisk rain, and sat by me alone.

I asked her to marry me.

All the whole I must admit it was not a situation that lent itself to eloquence. I lay on my back and talked through