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Today's Stichomancy for Ariel Sharon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Betty Zane by Zane Grey:

strange light glittered in his eyes.

He slowly pursued a course lending gradually down to the creek. At intervals he would stop and listen. The strange voices of the woods were not mysteries to him. They were more familiar to him than the voices of men.

He recalled that, while on his circuit over the ridge to get behind the cavern, he had heard the report of a rifle far off in the direction of the chestnut grove, but, as that was a favorite place of the settlers for shooting squirrels, he had not thought anything of it at the time. Now it had a peculiar significance. He turned abruptly from the trail he had been following and plunged down the steep hill. Crossing the creek he took to the cover of the willows, which grew profusely along the banks, and striking a sort of


Betty Zane
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

manages it, here in the open air. Celestine's coffee gets cold bringing it from the kitchen to the dining-room. Three lumps! How can you drink it so sweet? Take some of the cress with your chop; it's so biting and crisp. Then there's the advantage of being able to smoke with your coffee out here. Now, in the city--aren't you going to smoke?"

"After a while," he said, laying a cigar on the table.

"Who gave it to you?" she laughed.

"I bought it. I suppose I'm getting reckless; I bought a whole box." She was determined not to be personal again and make him uncomfortable.

The cat made friends with him, and climbed into his lap when


Awakening & Selected Short Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato:

of the mind on a single object, or on a single aspect of human nature, overpowers the orderly perception of the whole. Yet the feelings too bring truths home to the minds of many who in the way of reason would be incapable of understanding them. Reflections of this kind may have been passing before Plato's mind when he describes the poet as inspired, or when, as in the Apology, he speaks of poets as the worst critics of their own writings--anybody taken at random from the crowd is a better interpreter of them than they are of themselves. They are sacred persons, 'winged and holy things' who have a touch of madness in their composition (Phaedr.), and should be treated with every sort of respect (Republic), but not allowed to live in a well-ordered state. Like the Statesmen in the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Frankenstein by Mary Shelley:

and extremely pretty; as I mentioned before, her mein and her expression continually remind me of my dear aunt.

"I must say also a few words to you, my dear cousin, of little darling William. I wish you could see him; he is very tall of his age, with sweet laughing blue eyes, dark eyelashes, and curling hair. When he smiles, two little dimples appear on each cheek, which are rosy with health. He has already had one or two little WIVES, but Louisa Biron is his favourite, a pretty little girl of five years of age.

"Now, dear Victor, I dare say you wish to be indulged in a little gossip concerning the good people of Geneva. The pretty Miss


Frankenstein