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Today's Stichomancy for Ariel Sharon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Heritage of the Desert by Zane Grey:

strolled out to it after supper, the sun had dipped the under side of its red disc behind the desert. He watched it sink, while the golden-red flood of light grew darker and darker. Thought seemed remote from him then; he watched, and watched, until he saw the last spark of fire die from the snow-slopes of Coconina. The desert became dimmer and dimmer; the oasis lost its outline in a bottomless purple pit, except for a faint light, like a star.

The bleating of sheep aroused him and he returned to camp. The fire was still bright. Wolf slept close to Mescal's tent; Piute was not in sight; and Naab had rolled himself in blankets. Crawling into his bed, Hare stretched aching legs and lay still, as if he would never move again.


The Heritage of the Desert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ancient Regime by Charles Kingsley:

surpassed in the race of progress by the classes below them.

But, even when at its best, their system of government had in it-- like all human invention--original sin; an unnatural and unrighteous element, which was certain, sooner or later, to produce decay and ruin. The old Nobility of Europe was not a mere aristocracy. It was a caste: a race not intermarrying with the races below it. It was not a mere aristocracy. For that, for the supremacy of the best men, all societies strive, or profess to strive. And such a true aristocracy may exist independent of caste, or the hereditary principle at all. We may conceive an Utopia, governed by an aristocracy which should be really democratic; which should use,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The White Moll by Frank L. Packard:

returned here in the role of Gypsy Nan, on a piece of paper wrapped around the key. The days of isolation were ended with climacteric effect; the pendulum had swung full the other way - to-night there was both a visitor and a message!

The paper detached from the key and thrust into her bodice, she stood up quickly. A form, looming up even in the darkness, showed on the garret stairs. "Who's dere?" she croaked.

"It's all right," a voice answered in low tones. "You were just ahead of me on the street. I saw you come in. It's Pierre."

Pierre! So that was his name! It was only the voice she recognized. Pierre - Danglar! She fumbled for the keyhole, found it, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gobseck by Honore de Balzac:

STOCK in Paris!' he cried, swinging round on his heels.

"This half-earnest buffoonery produced not the slightest effect upon Gobseck.

" 'Am I not on intimate terms with the Ronquerolles, the Marsays, the Franchessinis, the two Vandenesses, the Ajuda-Pintos,--all the most fashionable young men in Paris, in short? A prince and an ambassador (you know them both) are my partners at play. I draw my revenues from London and Carlsbad and Baden and Bath. Is not this the most brilliant of all industries!'

" 'True.'

" 'You make a sponge of me, begad! you do. You encourage me to go and


Gobseck