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Today's Stichomancy for Ashlee Simpson

The first excerpt represents the past or something you must release, and is drawn from Daisy Miller by Henry James:

"he would never have proposed to a young lady of this country to walk about the streets with him."

"About the streets?" cried Daisy with her pretty stare. "Where, then, would he have proposed to her to walk? The Pincio is not the streets, either; and I, thank goodness, am not a young lady of this country. The young ladies of this country have a dreadfully poky time of it, so far as I can learn; I don't see why I should change my habits for THEM."

"I am afraid your habits are those of a flirt," said Winterbourne gravely.

"Of course they are," she cried, giving him her little smiling stare again. "I'm a fearful, frightful flirt! Did you ever hear of a nice girl that

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Emerald City of Oz by L. Frank Baum:

they like to eat, 'cause they can't understand your stingy ways as I do."

"You must leave here at once!" said Mr. Bunn, sternly.

"Suppose we won't go?" said Dorothy, who was now much provoked.

"Then," said he, "we will put you into the great ovens where we are made, and bake you."

Dorothy gazed around and saw threatening looks upon the faces of all. She had not noticed any ovens in the town, but they might be there, nevertheless, for some of the inhabitants seemed very fresh. So she decided to go, and calling to Toto and Billina to follow her she marched up the street with as much dignity as possible, considering


The Emerald City of Oz
The third excerpt represents the future or something you must embrace, and is drawn from The House of Dust by Conrad Aiken:

Suddenly, as from sleep, awake, forgetting This nauseous dream; take up their accustomed ways,

Exhume the ghost of a joke, renew loud laughter, Forget the moles above their sweethearts' eyebrows, Lean to the music, rise, And dance once more in a rose-festooned illusion With kindness in their eyes . . .

They say (as we ourselves have said, remember) 'What wizardry this slow waltz works upon us! And how it brings to mind forgotten things!' They say 'How strange it is that one such evening