The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Poems by T. S. Eliot: Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;
By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fraulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.
After such knowledge, what forgiveness? Think now
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lesser Bourgeoisie by Honore de Balzac: not a grasp or a 'seizin,' as you call it, upon you, and that you can
manage to escape me for any foolish considerations of bourgeois
vanity?"
La Peyrade could not have been at heart so violently opposed to this
proposal as he seemed, for the vigorous language of the great master
of the police and the species of appropriation which he made of his
person brought a smile to the young man's lips.
Corentin had risen, and was walking up and down the room, speaking,
apparently, to himself.
"The police!" he cried; "one may say of it, as Basile said of calumny
to Batholo, 'The police, monsieur! you don't know what you despise!'
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