| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx: reappear and the Millennium to begin had formed in the heads of the
Chiliasts. Weakness had, as it ever does, taken refuge in the
wonderful; it believed the enemy was overcome if, in its imagination, it
hocus-pocused him away; and it lost all sense of the present in the
imaginary apotheosis of the future, that was at hand, and of the deeds,
that it had "in petto," but which it did not yet want to bring to the
scratch. The heroes, who ever seek to refute their established
incompetence by mutually bestowing their sympathy upon one another and
by pulling together, had packed their satchels, taken their laurels in
advance payments and were just engaged in the work of getting discounted
"in partibus," on the stock exchange, the republics for which, in the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The United States Bill of Rights: nor shall be compelled in any criminal case to be a witness against himself,
nor be deprived of life, liberty, or property, without due process of law;
nor shall private property be taken for public use without just compensation.
VI
In all criminal prosecutions, the accused shall enjoy the right to a
speedy and public trial, by an impartial jury of the State and district
wherein the crime shall have been committed, which district shall have
been previously ascertained by law, and to be informed of the nature
and cause of the accusation; to be confronted with the witnesses against him;
to have compulsory process for obtaining witnesses in his favor,
and to have the assistance of counsel for his defense.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: her had been too much for her feelings, and now she was anxious to
regain her freedom, the more so as she had run against an old flame
of hers in the wings. This was the super, to whom the task of
impersonating Pluto had been entrusted, a pastry cook, who had
already treated her to a whole week of love and flagellation. She
was waiting for him, much irritated at the things the marquis was
saying to her, as though she were one of those theatrical ladies!
And so at last she assumed a highly respectable expression and
jerked out this phrase:
"My husband's coming! You'll see."
Meanwhile the worn-looking artistes were dropping off one after the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Allan Quatermain by H. Rider Haggard: up the cliff -- a fit! a fit! a fit! chimed in voice after voice
-- each flinging the words to and fro with shouts of awful laughter
to the invisible lips of the other till the whole place echoed
with the words and with shrieks of fiendish merriment, which
at last ceased as suddenly as they had begun.
'Oh, mon Dieu!' yelled Alphonse, startled quite out of such
self-command as he possessed.
'Mon Dieu! Mon Dieu! Mon Dieu!' the Titanic echoes thundered,
shrieked, and wailed in every conceivable tone.
'Ah,' said Umslopogaas calmly, 'I clearly perceive that devils
live here. Well, the place looks like it.'
 Allan Quatermain |