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Today's Stichomancy for B. F. Skinner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Heritage of the Desert by Zane Grey:

above the golden desert. The winding columns of snow merged into straight lines of leaden rain; the rain flowed into vapory mist, and the mist cleared in the gold-red glare of endless level and slope. No moisture reached the parched desert.

Jack marched into camp with a snowy burden over his shoulder. He flung it down, disclosing a small deer; then he shook the white mantle from his coat, and whistling, kicked the fire-logs, and looked abroad at the silver cedars, now dripping under the sun, at the rainbows in the settling mists, at the rapidly melting snow on the ground.

"Got lost in that squall. Fine! Fine!" he exclaimed, and threw wide his arms.


The Heritage of the Desert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Polly of the Circus by Margaret Mayo:

Douglas spoke sharply. He was almost vexed with her and with himself for the weakness that was so near overcoming them. "And Ruth said, 'Entreat me not to leave thee----' "

" 'Or to return from following after thee.' " She was struggling to keep back the tears. " 'For whither thou goest, I will go, and where thou lodgest, I will lodge. Thy people shall be my people, and thy God my' "-- She stopped.

"That's right, go on," said Douglas, striving to control the unsteadiness in his own voice.

"Where thou diest, will I die' "--her arms went out blindly.

"Oh, you won't send me away, will you?" she sobbed. "I don't

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

going to take care of her any more."

"I'm not?" Tom opened his eyes wide and laughed. He could afford to control himself now. "Why's that?"

"Daisy's leaving you."

"Nonsense."

"I am, though," she said with a visible effort.

"She's not leaving me!" Tom's words suddenly leaned down over Gatsby. "Certainly not for a common swindler who'd have to steal the ring he put on her finger."

"I won't stand this!" cried Daisy. "Oh, please let's get out."

"Who are you, anyhow?" broke out Tom. "You're one of that bunch that


The Great Gatsby
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memories and Portraits by Robert Louis Stevenson:

from all its pages, from all its sentences, the well-written novel echoes and re-echoes its one creative and controlling thought; to this must every incident and character contribute; the style must have been pitched in unison with this; and if there is anywhere a word that looks another way, the book would be stronger, clearer, and (I had almost said) fuller without it. Life is monstrous, infinite, illogical, abrupt and poignant; a work of art, in comparison, is neat, finite, self-contained, rational, flowing and emasculate. Life imposes by brute energy, like inarticulate thunder; art catches the ear, among the far louder noises of experience, like an air artificially made by a discreet musician.