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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Merry Men by Robert Louis Stevenson:

Never had the Doctor seen reason to be more content with his endowments. Philosophy flowed smoothly from his lips. He was so agile a dialectician that he could trace his nonsense, when challenged, back to some root in sense, and prove it to be a sort of flower upon his system. He slipped out of antinomies like a fish, and left his disciple marvelling at the rabbi's depth.

Moreover, deep down in his heart the Doctor was disappointed with the ill-success of his more formal education. A boy, chosen by so acute an observer for his aptitude, and guided along the path of learning by so philosophic an instructor, was bound, by the nature of the universe, to make a more obvious and lasting advance. Now

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moran of the Lady Letty by Frank Norris:

felt a sudden coldness at his heart.

"This isn't going to be so much fun," he muttered between his teeth. The schooner was not bound up the bay for Alviso nor to Vallejo for grain. The track toward Lime Point could mean but one thing. The wind was freshening from the nor'west, the ebb tide rushing out to meet the ocean like a mill-race, at every moment the Golden Gate opened out wider, and within two minutes after the time of the last tack the "Bertha Millner" heeled to a great gust that had come booming in between the heads, straight from the open Pacific.

"Stand by for stays."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To-morrow by Joseph Conrad:

fancy there's something wrong about your news. Suppose you let me come in."

"YOU come in!" murmured old Hagberd, with inexpressible horror.

"I could give you some real information about your son--the very latest tip, if you care to hear."

"No," shouted Hagberd. He began to pace wildly to and fro, he shouldered his spade, he ges- ticulated with his other arm. "Here's a fellow-- a grinning fellow, who says there's something


To-morrow
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Life of the Spider by J. Henri Fabre:

twigs, eighteen inches tall, as a climbing-pole. The whole band hurriedly clambers up and reaches the top. In a few moments there is not one lacking in the group on high. The future will tell us the reason of this assemblage on the projecting tips of the twigs.

The little Spiders are now spinning here and there at random: they go up, go down, come up again. Thus is woven a light veil of divergent threads, a many-cornered web with the end of the branch for its summit and the edge of the table for its base, some eighteen inches wide. This veil is the drill-ground, the work-yard where the preparations for departure are made.

Here hasten the humble little creatures, running indefatigably to


The Life of the Spider