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Today's Stichomancy for Ben Affleck

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

sought to stimulate their appetites or wished for excitement; one and all of them wanted a place, and one and all were shut out from politics and public life. Nearly all the "free-livers" were men of unusual mental powers; some held out against the enervating life, others were ruined by it. The most celebrated and the cleverest among them was Eugene Rastignac, who entered, with de Marsay's help, upon a political career, in which he has since distinguished himself. The practical jokes, in which the set indulged became so famous, that not a few vaudevilles have been founded upon them.

Blondet introduced Lucien to this society of prodigals, of which he became a brilliant ornament, ranking next to Bixiou, one of the most

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Across The Plains by Robert Louis Stevenson:

summer flies hummed about the yard; and presently the dog thrust forth his paw, caught a fly in his open palm, carried it to his mouth like an ape, and looking suddenly up at the dreamer in the window, winked to him with one eye. The dream went on, it matters not how it went; it was a good dream as dreams go; but there was nothing in the sequel worthy of that devilish brown dog. And the point of interest for me lies partly in that very fact: that having found so singular an incident, my imperfect dreamer should prove unable to carry the tale to a fit end and fall back on indescribable noises and indiscriminate horrors. It would be different now; he knows his business better!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

was the dead and mummified remains of a little old woman with long black hair, and the thing it leaned over was a small charcoal burner upon which rested a round copper vessel containing a small quantity of greenish powder.

Behind her, depending from the roof upon rawhide thongs, and stretching entirely across the cave, was a row of human skeletons. From the thong which held them stretched another to the dead hand of the little old woman; as I touched the cord the skeletons swung to the motion with a noise as of the rustling of dry leaves.

It was a most grotesque and horrid tableau and I hastened

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Second Home by Honore de Balzac:

at little Charles--who, not understanding his mother's grief, stood speechless at the sight of her tears--at the cot where Eugenie lay sleeping, and Caroline's face, on which grief had the effect of rain falling across the beams of cheerful sunshine.

"Yes, my darling," said Roger, after a long silence, "that is the great secret: I am married. But some day I hope we may form but one family. My wife has been given over ever since last March. I do not wish her dead; still, if it should please God to take her to Himself, I believe she will be happier in Paradise than in a world to whose griefs and pleasures she is equally indifferent."

"How I hate that woman! How could she bear to make you unhappy? And