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Today's Stichomancy for Ben Affleck

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adventure by Jack London:

only missed it twice, and it was a strange weapon."

"But I can't make out the two misses," she complained. "The gun worked beautifully, too. Give me another clip and I'll hit it eight times for anything you wish."

"I don't doubt it. Now I'll have to get a new block. Viaburi! Here you fella, catch one fella block along store-room."

"I'll wager you can't do it eight out of eight . . . anything you wish," she challenged.

"No fear of my taking it on," was his answer. "Who taught you to shoot?"

"Oh, my father, at first, and then Von, and his cowboys. He was a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maitre Cornelius by Honore de Balzac:

perilous. It was easy to divine that to these two beings air, sound, foot-falls, etc., things indifferent to other men, presented hidden qualities, peculiar properties which they distinguished. Perhaps their love made them find faithful interpreters in the icy hands of the old priest to whom they confessed their sins, and from whom they received the Host at the holy table. Love profound! love gashed into the soul like a scar upon the body which we carry through life! When these two young people looked at each other, the woman seemed to say to her lover, "Let us love each other and die!" To which the young knight answered, "Let us love each other and not die." In reply, she showed him a sign her old duenna and two pages. The duenna slept; the pages

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Middlemarch by George Eliot:

of the retina.

Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency,


Middlemarch
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You'd better write her a note. `Mrs. James Highcamp.' Hugh! the less you have to do with Mrs. Highcamp, the better. `Madame Laforce.' Came all the way from Carrolton, too, poor old soul. 'Miss Wiggs,' `Mrs. Eleanor Boltons.'" He pushed the cards aside.

"Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the thing so seriously and making such a fuss over it?"

"I'm not making any fuss over it. But it's just such seeming trifles that we've got to take seriously; such things count."

The fish was scorched. Mr. Pontellier would not touch it.


Awakening & Selected Short Stories