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Today's Stichomancy for Ben Affleck

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Mirth by Edith Wharton:

Beltshire, and at twelve o'clock she asked to be set ashore in the gig. Before this she had sent her maid to enquire if she might see Mrs. Dorset; but the reply came back that the latter was tired, and trying to sleep. Lily thought she understood the reason of the rebuff. Her hostess had not been included in the Duchess's invitation, though she herself had made the most loyal efforts in that direction. But her grace was impervious to hints, and invited or omitted as she chose. It was not Lily's fault if Mrs. Dorset's complicated attitudes did not fall in with the Duchess's easy gait. The Duchess, who seldom explained herself, had not formulated her objection beyond

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

the law of homologous variation, the front limbs and even the head would probably be affected. The shape, also, of the pelvis might affect by pressure the shape of the head of the young in the womb. The laborious breathing necessary in high regions would, we have some reason to believe, increase the size of the chest; and again correlation would come into play. Animals kept by savages in different countries often have to struggle for their own subsistence, and would be exposed to a certain extent to natural selection, and individuals with slightly different constitutions would succeed best under different climates; and there is reason to believe that constitution and colour are correlated. A good observer, also, states that in cattle susceptibility to the attacks of flies is correlated with colour,


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Youth by Joseph Conrad:

was poured into the enigmatical, the fateful silence; outlandish, angry words, mixed with words and even whole sentences of good English, less strange but even more surprising. The voice swore and cursed violently; it riddled the solemn peace of the bay by a volley of abuse. It began by calling me Pig, and from that went crescendo into unmentionable adjectives--in English. The man up there raged aloud in two languages, and with a sincerity in his fury that almost convinced me I had, in some way, sinned against the harmony of the universe. I could hardly see him, but began to think he


Youth
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moral Emblems by Robert Louis Stevenson:

Out flashed the cutlass, down went Ben Dead and rotten, there and then.

Poem: II - THE BUILDER'S DOOM

In eighteen-twenty Deacon Thin Feu'd the land and fenced it in, And laid his broad foundations down About a furlong out of town.

Early and late the work went on. The carts were toiling ere the dawn; The mason whistled, the hodman sang; Early and late the trowels rang;