Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Benjamin Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Buttered Side Down by Edna Ferber:

the landlady's dog, and he's a trained rat-and-book-agent terrier, and not inclined to overfriendliness. When I clerked at the Enterprise Store in Beloit the women used to come in and ask for something we didn't carry just for an excuse to copy the way the lace yoke effects were planned in my shirtwaists. You ought to see the way those same shirtwaist stack up here. Why, boy, the lingerie waists that the other girls in my department wear make my best hand-tucked effort look like a simple English country blouse. They're so dripping with Irish crochet and real Val and Cluny insertions that it's a wonder the girls don't get stoop-shouldered carrying 'em around."


Buttered Side Down
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Euthydemus by Plato:

allusion to his money-getting habits. There is the youth Cleinias, the grandson of Alcibiades, who may be compared with Lysis, Charmides, Menexenus, and other ingenuous youths out of whose mouths Socrates draws his own lessons, and to whom he always seems to stand in a kindly and sympathetic relation. Crito will not believe that Socrates has not improved or perhaps invented the answers of Cleinias (compare Phaedrus). The name of the grandson of Alcibiades, who is described as long dead, (Greek), and who died at the age of forty-four, in the year 404 B.C., suggests not only that the intended scene of the Euthydemus could not have been earlier than 404, but that as a fact this Dialogue could not have been composed before 390 at the soonest. Ctesippus, who is the lover of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Battle of the Books by Jonathan Swift:

court-entertainment, of which I have heard many particulars; and, considering all things were turned upside down, it was reasonable and judicious; although it was a piece of policy found out to ridicule a point of honour in the other extreme, when the smallest word misplaced among gentlemen ended in a duel.

There are some men excellent at telling a story, and provided with a plentiful stock of them, which they can draw out upon occasion in all companies; and considering how low conversation runs now among us, it is not altogether a contemptible talent; however, it is subject to two unavoidable defects: frequent repetition, and being soon exhausted; so that whoever valueth this gift in himself hath

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

'I began by hating it--being furious, furious--and afraid, too. Sometimes it was like a low cloud, hovering and travelling always with me, sometimes like a beast of prey that went a little way off and sat looking at me. . ..

'I have--done my best. But there is nothing to do, to kill, to abolish. How can I say, "I will not let you in," when it is already there? How can I assume indifference when this thing is imposed upon every moment of my day? And it has grown so sweet--the longing--that--isn't it strange?--I could more willingly give him up than the desire of him. That seems as impossible to part with as life itself.'