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Today's Stichomancy for Benjamin Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Arizona Nights by Stewart Edward White:

"Look here, Schwartz," said Denton, "you don't realise you're entered against time in this race--and that you're a damn fool to carry all that weight in your clothes." So we dragged along all night. It was weird enough, I can tell you. The moon shone cold and white over that dead, dry country. Hot whiffs rose from the baked stones and hillsides. Shadows lay under the stones like animals crouching. When we came to the edge of a silvery hill we

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

express a certain condition, involving a hitherto undescribed sensation (as it supposed,) all of which could have been sufficiently explained by the participle - BORED. I have seen a country-clergyman, with a one-story intellect and a one-horse vocabulary, who has consumed his valuable time (and mine) freely, in developing an opinion of a brother-minister's discourse which would have been abundantly characterized by a peach-down-lipped sophomore in the one word - SLOW. Let us discriminate, and be shy of absolute proscription. I am omniverbivorous by nature and training. Passing by such words as are poisonous, I can swallow most others, and chew such as I cannot swallow.


The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from All's Well That Ends Well by William Shakespeare:

CLOWN. Why, he will look upon his boot and sing; mend the ruff and sing; ask questions and sing; pick his teeth and sing. I know a man that had this trick of melancholy sold a goodly manor for a song.

COUNTESS. Let me see what he writes, and when he means to come.

[Opening a letter.]

CLOWN. I have no mind to Isbel since I was at court. Our old ling and our Isbels o' the country are nothing like your old ling and your Isbels o' the court. The brains of my Cupid's knocked out;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

brasures. Beyond the wall rose the domes of several struc- tures and numerous minarets dotted the sky line of the city. The largest and central dome appeared to be gilded, while others were red, or blue, or yellow. The architecture of the wall itself was of uncompromising simplicity. It was of a cream shade and appeared to be plastered and painted. At its base was a line of well-tended shrubs and at some distance towards its eastern extremity it was vine covered to the top.

As he stood in the shadow of the trail, his keen eyes taking in every detail of the picture before him, he became aware of the approach of a party in his rear and there was borne to


Tarzan the Untamed