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Today's Stichomancy for Benjamin Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jude the Obscure by Thomas Hardy:

"Very well. I do your bidding. I owe that to you, darling, in penance for how I overruled it at the first time. My God, how selfish I was! Perhaps--perhaps I spoilt one of the highest and purest loves that ever existed between man and woman! ... Then let the veil of our temple be rent in two from this hour!"

He went to the bed, removed one of the pair of pillows thereon, and flung it to the floor.

Sue looked at him, and bending over the bed-rail wept silently. "You don't see that it is a matter of conscience with me, and not of dislike to you!" she brokenly murmured. "Dislike to you! But I can't say any more--it breaks my heart--it will be undoing all I


Jude the Obscure
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Salammbo by Gustave Flaubert:

drive back the slaves, who were curious to see their master, so that he might not be assailed by their numbers or inconvenienced by their smell.

Then they all threw themselves flat on the ground, crying:

"Eye of Baal, may your house flourish!" And through these people as they lay thus on the ground in the avenue of cypress trees, Abdalonim, the Steward of the stewards, waving a white miter, advanced towards Hamilcar with a censer in his hand.

Salammbo was then coming down the galley staircases. All her slave women followed her; and, at each of her steps, they also descended. The heads of the Negresses formed big black spots on the line of the


Salammbo
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Meno by Plato:

idealized experience, having roots which strike far down into the history of philosophy. It is a method which does not divorce the present from the past, or the part from the whole, or the abstract from the concrete, or theory from fact, or the divine from the human, or one science from another, but labours to connect them. Along such a road we have proceeded a few steps, sufficient, perhaps, to make us reflect on the want of method which prevails in our own day. In another age, all the branches of knowledge, whether relating to God or man or nature, will become the knowledge of 'the revelation of a single science' (Symp.), and all things, like the stars in heaven, will shed their light upon one another.

MENO

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Prince by Nicolo Machiavelli:

Duke Valentino, and these characters fill a large space of "The Prince." Machiavelli never hesitates to cite the actions of the duke for the benefit of usurpers who wish to keep the states they have seized; he can, indeed, find no precepts to offer so good as the pattern of Cesare Borgia's conduct, insomuch that Cesare is acclaimed by some critics as the "hero" of "The Prince." Yet in "The Prince" the duke is in point of fact cited as a type of the man who rises on the fortune of others, and falls with them; who takes every course that might be expected from a prudent man but the course which will save him; who is prepared for all eventualities but the one which happens; and who, when all his abilities fail to carry him through, exclaims


The Prince