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Today's Stichomancy for Benjamin Franklin

The first excerpt represents the past or something you must release, and is drawn from Faraday as a Discoverer by John Tyndall:

deportment of the wire resembles far more that of a body moving in a resisting medium than anything else; the resistance ceasing when the motion is suspended. Let us imagine the case of a liquid so mobile that the hand may be passed through it to and fro, without encountering any sensible resistance. It resembles the motion of a conductor in the unexcited field of an electro-magnet. Now, let us suppose a body placed in the liquid, or acting on it, which confers upon it the property of viscosity; the hand would no longer move freely. During its motion, but then only, resistance would be encountered and overcome. Here we have rudely represented the case of the excited magnetic field, and the result in both cases would be

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:

that, though he be not able to come forward frequently, he should on each occasion prove what he is capable of doing; and that, instead of perpetually lavishing his powers, he should occasionally condense them in a small compass, so as to furnish a sort of complete and brilliant epitome of his constituents and of himself. On these terms they will vote for him at the next election. These conditions drive worthy men of humble abilities to despair, who, knowing their own powers, would never voluntarily have come forward. But thus urged on, the Representative begins to speak, to the great alarm of his friends; and rushing imprudently into the midst of the most

The third excerpt represents the future or something you must embrace, and is drawn from Blix by Frank Norris:

passing by the door of each one of its eight rooms in turn. Travis preceded Condy, and turned up one of the burners in colored globe of the little brass chandelier. The parlor was a small affair, peopled by a family of chairs and sofas robed in white drugget. A gold-and-white effect had been striven for throughout the room. The walls had been tinted instead of papered, and bunches of hand-painted pink flowers tied up with blue ribbons straggled from one corner of the ceiling. Across one angle of the room straddled a brass easel upholding a