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Today's Stichomancy for Benjamin Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

same mixed mechanism. The masonry of the top was clamped with iron at each joint; since it had been no uncommon thing for desperate men to wrench the coping off and throw it down the river, in reckless defiance of the magistrates.

For to this pair of bridges gravitated all the failures of the town; those who had failed in business, in love, in sobriety, in crime. Why the unhappy hereabout usually chose the bridges for their meditations in preference to a railing, a gate, or a stile, was not so clear.

There was a marked difference of quality between the personages who haunted the near bridge of brick and the


The Mayor of Casterbridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey:

superficialities which she had supposed were necessary to her happiness. What she had undertaken in vain conquest of Glenn's pride and Flo Hutter's Western tolerance she had found to be a boomerang. She had won Glenn's admiration; she had won the Western girl's recognition. But her passionate, stubborn desire had been ignoble, and was proved so by the rebound of her achievement, coming home to her with a sweetness she had not the courage to accept. She forced it from her. This West with its rawness, its ruggedness, she hated.

Nevertheless, the June days passed, growing dreamily swift, growing more incomprehensibly full; and still she had not broached to Glenn the main object of her visit--to take him back East. Yet a little while longer! She


The Call of the Canyon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sylvie and Bruno by Lewis Carroll:

there--some open hampers--the debris of a picnic--such were the Facts accumulated by the Scientific Researcher. And now, what deep, far-reaching Theory was he to construct from them? The Researcher found himself at fault. Yet stay! One Fact had escaped his notice. While all the rest were grouped in twos and in threes, Arthur was alone: while all tongues were talking, his was silent: while all faces were gay, his was gloomy and despondent. Here was a Fact indeed! The Researcher felt that a Theory must be constructed without delay.

Lady Muriel had just risen and left the party. Could that be the cause of his despondency? The Theory hardly rose to the dignity of a Working Hypothesis. Clearly more Facts were needed.


Sylvie and Bruno
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Damnation of Theron Ware by Harold Frederic:

She tossed the glass aside, and, holding out her flowing skirts with both hands, executed a swinging pirouette in front of the gravely beautiful statue of the armless woman.

CHAPTER XX

It was apparent to the Rev. Theron Ware, from the very first moment of waking next morning, that both he and the world had changed over night. The metamorphosis, in the harsh toils of which he had been laboring blindly so long, was accomplished. He stood forth, so to speak, in a new skin, and looked about him, with perceptions of quite an altered kind, upon what seemed in every way


The Damnation of Theron Ware