| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Helen of Troy And Other Poems by Sara Teasdale: New singing now the singer hears
To lyre and lute and harp;
Catullus waits to welcome him,
And thro' the twilight sweet and dim,
Sappho's forgotten songs are falling on his ears.
Triolets
I
Love looked back as he took his flight,
And lo, his eyes were filled with tears.
Was it for love of lost delight
Love looked back as he took his flight?
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Amazing Interlude by Mary Roberts Rinehart: sweater until it assumed uncompromising proportions.
Sara Lee's days, up to the twentieth of December, 1914, had been much
alike. In the mornings she straightened up her room, which she had
copied from one in a woman's magazine, with the result that it gave
somehow the impression of a baby's bassinet, being largely dotted Swiss
and ribbon. Yet in a way it was a perfect setting for Sara Lee herself.
It was fresh and virginal, and very, very neat and white. A resigned
little room, like Sara Lee, resigned to being tucked away in a corner
and to having no particular outlook. Peaceful, too.
Sometimes in the morning between straightening her room and going to the
market for Aunt Harriet, Sara Lee looked at a newspaper. So she knew
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