Today's Stichomancy for Bill O'Reilly

picked a little piece of each loaf and drank a very little wine out of each glass; and after that she thought she would lie down and rest. So she tried all the little beds; but one was too long, and another was too short, till at last the seventh suited her: and there she laid herself down and went to sleep.

By and by in came the masters of the cottage. Now they were seven little dwarfs, that lived among the mountains, and dug and searched for gold. They lighted up their seven lamps, and saw at once that all was not right. The first said, 'Who has been sitting on my stool?' The second, 'Who has been eating off my plate?' The third, 'Who has been picking my bread?' The fourth, 'Who has been meddling with my spoon?'

Grimm's Fairy Tales

in convulsive accents, being at the same time engaged in getting my pipe to draw. This, I admit, was an unusual request. Generally, on getting up from breakfast I would sit down in the window with a book and let them clear the table when they liked; but if you think that on that morning I was in the least impatient, you are mistaken. I remember that I was perfectly calm. As a matter of fact I was not at all certain that I wanted to write, or that I meant to write, or that I had anything to write about. No, I was not impatient. I lounged between the mantelpiece and the window, not even consciously waiting for the table to be cleared. It was ten to one that before my landlady's

A Personal Record

All this relates to Pittacus, as is further proved by the sequel. For he adds:--

'Therefore I will not throw away my span of life to no purpose in searching after the impossible, hoping in vain to find a perfectly faultless man among those who partake of the fruit of the broad-bosomed earth: if I find him, I will send you word.'

(this is the vehement way in which he pursues his attack upon Pittacus throughout the whole poem):

'But him who does no evil, voluntarily I praise and love;--not even the gods war against necessity.'

All this has a similar drift, for Simonides was not so ignorant as to say

of white velvet, and their curious three-cornered hats were fringed with silver and surmounted with huge plumes of ostrich feathers, the dazzling whiteness of their costumes, as they moved about in the sunlight, being still more accentuated by their swarthy faces and long black hair. Everybody was fascinated by the grave dignity with which they moved through the intricate figures of the dance, and by the elaborate grace of their slow gestures, and stately bows, and when they had finished their performance and doffed their great plumed hats to the Infanta, she acknowledged their reverence with much courtesy, and made a vow that she would send a large wax candle to the shrine of Our Lady of Pilar in return for the